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Wino Blogger says...

Producer: Masi
Name: Campofiorin
Region: Verona, Italy
Vintage: 2006
Price: ~ 18

I know I've tasted this one before but in all honesty it's been quite a while. So why not again right? The Masi Campofiorin has a bouquet (I hate using that word) of rich dark cherries and really subtle notes of smoke and cedar. It has a full body that wraps your tongue in more dark cherries and blackberries but I wouldn't say that it's fruity. The cherry and berry notes are quite parred down as the tasting progresses because I think the smokey earth tones take over and wrap it all up with a long dry finish. I say "I think" because I kinda had a hard time deciding if things were wrapped up nicely with the smoke and earth flavours or if they weren't wrapped up at all and things fell flat. If someone has tasted this one before I'd love to hear your comments on it. It could also very well be my own inexperience coupled with the fact I'm already gettin' my buzz on!

Peace!

J

PS: you're two o'clock appointment is going to come soon Chris... very soon indeed.
PPS: enough about the goddam Wolf Blass. My point was that it's a decent wine for the price and mass production isn't a good enough reason not to like it.

   
Click here to download:
Masi_-_Campofiorin_Tags_Wine_R.zip (66 KB)

Filed under: Verona

Bik says...

My mom is dead. While I didn’t really know her, it’s still hard to say and hear. A few weeks ago, on the day I both met and watched her die, one of the last things she said to me was that I should seek out a secret conclave of the Autumn Court. Although I knew the Autumn Court was one of the four major fae political entities, I had no clue why my Duke had kept my mother prisoner for nearly seventy years in a vain attempt to get her to tell him where this conclave was located. Not until my mother told me that this conclave had finally cracked the secrets of baptism did I fully understand the significance of the conclave’s whereabouts.

You see the advent of monotheism and the widespread use of baptism marks the decline of the fae influence on the development of human culture. Once a human is baptized they can no longer perceive our true forms, nor are they capable of learning fae magik. Until baptism became widespread it was common for fae families to secretly swap their newborn child with one of a human couple. The human baby would be raised in our ways thus gaining long life and mastery of our magiks. The fae baby or changeling as we call them would in turn be raised as human and would often learn to control fae magik on their own through instinct. As they grew into adulthood and bore children with a human mate they would interject our blood into the human race thus ensuring the survival of the fae. However, if a changeling was baptized, it would be forever locked in its human state. Neither capable of using fae magik nor able to see its own kind.

After narrowly escaping the magical realms with my life and with the ring that had slipped from my mother’s hand as she slipped from my grasp, I spent countless hours examining the ring hoping for some clue into my mother’s life since I knew her so briefly. But I found nothing unusual. However, one night when the moon was full and its light filtering through the forest canopy into my bedroom, something unexpected happened. The moonlight seemed to refract through the single emerald stone set in the ring onto the walls of my bedroom.  Simple faescript danced around as I tried to hold the ring steady, but they were easy enough to read. They revealed coordinates. To what I didn’t know but thinking back on my escape, it couldn’t have been a coincidence that my mother’s ring slide off her finger and into my hand. No, my mother intended for me to find these coordinates and they were my first clue as to the whereabouts of the conclave. These coordinate led to the Olympic Peninsula in the Pacific Northwest.

Eventually, I made arrangements to travel there. The Olympic Peninsula is a huge, wild place. Its temperate rainforests are the home for many giant hemlock and spruce trees. I couldn’t think of a better place for an Autumn Court conclave to be located. Prior to the arrival of the Europeans, the peninsula was populated by dozens of tribes of native people. All of them unbaptized and all of them capable of making covenants with the Autumn Court. However, finding the home of the conclave or what was left of it seemed daunting. But, I soon found on my hikes through the forest that ancient trails were still marked with lines of faerie crystals.

Faerie crystals look like nothing more than strangely shaped quartz to humans, but when a fae is near, they resonate and sing. It was easy enough in the quiet of the rainforest to follow these songs to wherever they led. I followed them for miles until radiating lines converged on an ancient and enormous spruce tree located deep in the Hoh rainforest. As I approached I could sense that it was a fae tree. Sort of like my own home in Montpelier, but comparing this tree to mine would be like comparing the Taj Mahal to a trailer home.  

It’s a common misnomer to believe that a fae lives inside his tree. It’s more accurate to say that a fae’s tree marks an entry point into a space carved out of the realms in-between.  These realms are located in another dimension which is often used by fae magik. For instance, when a fae poofs from one spot to another, he is actually travelling through the realms in-between to arrive at their destination. These realms extend to all places and some believe all times in both the magical and mundane realms. So, when I made my way up to the ancient spruce tree, it would be a simple matter for me to enter its extra-dimensional space as long as it wasn’t warded – it wasn’t.

Upon entering the tree I immediately found myself in a long foyer. Walking the long hallway, I marveled at all the intricate paintings and embellishments. Some of the paintings were of famous fae theoreticians and philosophers. As I walked to the end, the hall eventually opened up into a large, circular courtroom. The gallery around the outside of the room appear to have room for hundreds of fae and in the center was a large circular table with a podium located in a cutout in the middle of the table. The room smelled as if no court had been held here in quite some time; however, on the podium rested a large, leather bound book that seem to call to me.

As I walked onto the podium I reached to open the book, but I soon found that it was locked. I tried to lift the book from the lectern, but it refused to be lifted. I labored to force the book open with whatever I could find, a candlestick holder, my hiking pole, I even tried to cut off the binding using my Swiss army knife but nothing seemed to work. At that point I realized that the book was locked using no simple mechanism. Rather, its lock was a sophisticated enchantment intended to keep anyone who wasn’t a member of the court from opening it. It was at that moment that I decided to see if my mother’s ring was the key. It had gotten me this far, why not the rest of the way?

Untying my mother’s ring that was hanging on a simple string around my neck, I tried touching the ring all around the binding to no avail. It was then I decided to see what would happen if I tried to open the book while wearing the ring. So I tried sliding it on my pinky knowing that my hands were much larger than my mother’s. But strangely enough the ring was too large for my pinky as it easily fell off my finger. So, I slide the ring on my index finger and it was a perfect fit. Yeah, it was a bit girly for my tastes but if it allowed me to open the book then I’d just put it back on the string later.

While wearing the mom’s emerald ring I reached out to open the book, but surprisingly it opened on its own as I touched it and began to sing images in my mind. I could see all around me the fae spirits of those who had inhabited these chambers in times past. Sitting around courtroom table were five regal figures all of them looking at me with desperate expressions. I don’t know how, perhaps from my schooling or perhaps it was an effect of the enchantment itself, but I seemed to know everyone sitting around the courtroom table. There was Levee, a bold and confident explorer; Horace, the old and benevolent philosopher; Marcie, the whimsical, but astute theoretician; Rawling, a calculating and devious politician and lastly, Verona, a graceful and intelligent theologian. Somehow, I knew all of them to be the last members of the conclave.

It was Levee that approached me, his outstretched hand reaching to touch my forehead. But I was scared and tried to back away only to find that no matter how hard I retreated I stayed in one place. As Levee touched my forehead I could feel all the surrounding spirits fade away along with my consciousness.

I finally awoke several hours later back in my hotel room. My mother’s ring was once again hanging around my neck on a string. How I got there I had no clue; however, I wasn’t alone. The thoughts and possibly the spirits of the last members of the conclave were inside of me all jumbled together. They were a confusing morass of images, emotions, and ideas. While I found I could push these thoughts to the outer recesses of my mind, I soon found out that when I slept each of them struggled for control of my mind. It was only later after speaking with my adopted mother Aosoth that I became resolved to gain control of these spirits. To harness their wisdom and knowledge and to claim the legacy left to me by my mother, Jaelynn Bik.

Filed under: Verona

koenjansens says...

     

Filed under: Verona

Mike & Hanni says...

Current location: Bat Hefer, Israel
Next stop: London, UK | Saturday, June 27th

So we last left off as we departed from Switzerland on a train bound for Milan, Italy. But we had no intention of staying in Milan -- from what we read & heard, there's little to see there unless you love fashion and have a lot of money to spend. So the plan was to jump straight onto the next train for Verona where we had booked a B&B for the night.

When we arrived in Verona it was about 7.15pm, and according to the email we got from the B&B, we had to get there by 8pm or else we'd have to pay extra. The directions said that the B&B wasn't far from the train station, but when we found a map, we couldn't figure out which way we were facing -- so we had no idea which way to go! Aware that we were on a tight schedule, we opted for a bus instead (the B&B's directions also had directions by bus), so we went to the bus station and waited with a bunch of people for our bus, and when it finally arrived, we all crammed on board. 

Given that we both had our packs on, this was extremely awkward as the bus was completely packed (the whole aisle was full as well as the seats), and we kept getting in people's way as they tried to get off at various stops. It was so packed we also couldn't even see the ticket machine, but we figured that even if a ticket officer was on board, they too wouldn't be able to squeeze through the bus to check if we had tickets. The bus drivers in Italy also seem to be totally insane, taking corners at crazy speeds (hurling everyone around the bus) and slamming on the brakes at every stop. Not easy when you have 20Kg packs on!

But, we found our stop easily enough and checked into our B&B with about 5 minutes to spare before 8pm. The place was a very nice apartment with a huge room for us, and the owner, Francesco, was awesome -- after we got our packs off, he gave us a quick tour of the house and then marked off a bunch of places on a map -- not just the typical tourist sites, but also good places to eat or to get a view of the city. That night we went out for dinner (at one of the places Francesco recommended) and had our first authentic Italian pizza (and a lot of cheap but delicious red wine).

After dinner we went for a quick walk around the city to scope the place out. Before we got to Verona, we had the impression that Juliet's house is all that Verona has to offer, but just walking around at night was amazing. The city is really cool, and still has heaps of remnants from the original city. And yeah, there's the famous Juliet's house (but it was closed at that time of night). We could easily live in Verona. 

We only had one night planned for Verona, so we had to check out the next morning. But Francesco was so awesome that not only did we wake up to a very nice breakfast, but he then told us we could leave our bags in our room so that we could see more of Verona without lugging our packs around. So that's what we did.

Did I mention that Verona is a really beautiful city? Seeing the place in the daytime was great, and as we walked around, we kept seeing bunches of padlocks locked around things like lamp posts all around town -- on closer inspection, each lock has people's names written on them, so we figured it was like a "star-crossed lovers" mark or something. Juliet's house (actually "Giuliette" in Italy) was typically packed and there's not much to see, though interestingly all over the gate and the walls leading into the courtyard people have scrawled their names. It seems to be another tradition here as the walls were covered in paper so that every now & then (we assumed) the paper would be replaced to give people space to keep writing their names. There wasn't much free space on the walls (which were covered right up to the ceiling!) but we found a little spot to make our mark. Wonder if it's still there...

There is also a statue of Juliet in the courtyard and it's said that if you rub her breast (which is now much shinier than the rest of the statue) then you will find a new lover. We're starting to get the impression that this is a bit of a love-struck city.

After Juliet's, we tried to find Romeo's house. This was a lot harder than it sounds, but that's because when we found it, the only thing to set it apart from the rest of the buildings was a tiny little plaque. The place was extremely uninteresting. Oh well.

As we walked around some more, we kept stumbling across old ruins -- parts of the old wall that used to enclose the city (see the photo I took of the old city). We also checked out a semi-cool old castle (nothing special really) and had a nice walk along the river on our way back to our B&B. Along the way we went on a quick detour up the hill, where Francesco had said there was a view of the city, which turned out to be totally awesome.

By the time we arrived back at the B&B, it was time to catch our next train to Venice. So we picked up our bags and set off for the train station. Walking, this time -- those bus drivers are seriously crazy!

                                                             
Click here to download:
Italy_-_Part_One_Verona_tag_it.zip (6310 KB)

Filed under: verona

w0nk0 says...

Get the Flash Playerto see this player.

This was taken with my Nokia phone cam and mailed in directly from the Verona Amphitheatre.
 
No rehearsing, no editing, no Intro - so not your usual finz.tv quality, but in return practically live at 9pm Verona time which is 3pm eastern.
 
(For clarification: This is only the last LIVE episode, not the last edited one. We will hit you with more footage taken during our trip when we are back to our respectivr headquarters..)
 
If anybody has special off-the-tourist-track tips for Verona, hit me on Twitter @w0nk0!
 
Thanks for watching and good trades,
  W0nk0

Filed under: Verona

tuscanycat says...

The city of Verona.

"Verona is a city in Veneto, northern Italy, one of the seven provincial capitals in the region. It is one of the main tourist destinations in north-eastern Italy, thanks to its artistic heritage, several annual fairs, shows and operas, such as the lyrical season in the Arena, the ancient amphitheatre built by the Romans.

Verona is the setting of the story of Romeo and Juliet, made famous by William Shakespeare. Although the earliest version of the story is set in Siena, not Verona — the move was made in Luigi da Porto's Istoria novellamente ritrovata di due Nobili Amanti — a balcony falsely claiming historical connection to the fictional lovers has become a tourist attraction for lovers; the short passageway leading to the balcony is covered with slips of paper carrying their graffiti, and a bronze statue of Juliet stands under the balcony, one breast polished by those touching it for luck." – Wikipedia

       

Filed under: verona

elegation says...





Sent from my iPhone

Filed under: Verona

elegation says...





Sent from my iPhone

Filed under: Verona

elegation says...





Sent from my iPhone

 

Filed under: Verona