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Judd6149 says...

The day they figure out how we can embed smell and taste on blogs and websites is the day porn officially takes over the interweb. Can you image the sickness...the rank, funk-plague that will take hold?!  Prepubescents, geezers and creeps will be dry-humping, licking and snorting their monitors and mobile phones until the police come in to haul them away.

Main offenders will have their parts lopped off right there and then. Tongues and noses will litter the streets and clog our gutters; I will be on Main Street in my lawn chair waiting for the filth parade to begin. Join me?

Until then, have a gander at the meal I whipped up for me and Mrs. 6149 tonight. I know what you are thinking...this is where that smell/taste webability would come in very handy. Yes in-deed-y. I have the good fortune of smelling and tasting this crock pot concoction. Sure, its not free porn, but at least you don't have to look over your shoulder when you eat it. 

This was my second go at the slow-cooker. The first time I let it cook too long and the meat was tougher than a wet saddle. This time I planned for a long cooking time with big hunks of stuff and meat and other stuff. What you see here is a huge piece of Lamb ( a Lamb Joint) smothered in sweet potatoes, green onions, garlic cloves, carrots, big fat mushrooms, various spices and an entire bottle of merlot. 

I put this in the crocker this morning at 6:28am, set it to "medium" heat and left it there all day until I got home from work at 7:20pm. Thirteen hours of slow-cooking later and what you see here is what we ate then. It was cooked perfectly (a bit of luck on that one). If you could smell and taste this picture, you would be looking for a second helping.

The two of us almost finished the whole thing. Next time I am going stick a small bird in there and crock it good.

_____

Another dish I always get a second and third and fourth helping of is Memphis Soul Stew.  The stew is prepared best by a chef thats part cool cat with soulful sax-man: King Curtis.  Memphis Soul Stew is made with only the finest of ingredients:

  • 1/2 teacup of bass
  • 1 lb fat-back drums
  • 4 tbs of boiling Memphis geetars
  • Pinch of organ
  • 1/2 pt of horns

Bring those ingredients to a boil and then beat...well.

Here try some for yourself. It comes in two flavours: audio and video. 

Filed under: Tune Tags

Judd6149 says...

I don't know how to speak French, but I sure know how to speak Albert King.  

I just returned from a weekend in Brussels where French is the primary language. I took French I and II in high school; I was horrible in both. Ironically my pitiful performance in these two classes resulted in the first set of double-"D's" I ever got my hands on in high school.

I can croak out a few random phrases: "shut the door", "what time is it", "I am cold/warm"; none of which are worth much without context. Such is the traveller's life. When you are not fluent in the local tongue you have to get by on common human connectors: laughter, winks, nods, smiles and, as I experienced this weekend, music.

Our train pulled into Brussels late Friday night. We were there to see the famous xmas markets and had a long day of roaming and wandering planned for Saturday.  Before we called Friday done and dusted, we popped into a nearby pub to wash down some eats with a few delicious Belgian brews. 

The next morning my wife was cracking the early morning whip and was hot to get started on our market tour. Before we cut a path, we stopped for coffee. Seated across from me, she put down her latte, smiled her "I'm on to you" smile and asked me, "so...did you find one"?

She knows me oh so well.

Before every trip we take, I always search out the local independent record shop/collectors. It is not always that I find "one", but I did in Brussels; fortunately it was right in the centre of town. It is also a thrill to flip through European record bins in hopes of finding some old time used to be. 

We walked the markets all day, tasted the local foods and drank much "chaud rouge" (hot red wine).  Once we had our fill of the markets, my wife wanted to rest weary bones in a local cafe. Perfect.  This was my window to self-indulge with a trip to the record shop. I wasn't exactly sure where it was, but I was hell-bent on finding it. 

As I was scurrying through the streets, I heard the sound of a lone guitar man playing and singing for the passers by. There were lots of street performers out that day, but only one was playing music to my ears: Creedence Clearwater Revival. I swore I heard some one playing CCR; not just your standard CCR ditty, but a relatively obscure CCR song: "Cotton Fields". I love this song. It was built for the foot-stomp and sing-a-longs and I partake in each every time I hear it. 

I followed the sound until I saw who was playing it. There he was sitting on a crate, a Pete Seeger look-a-like strumming on his amplified acoustic. "Cotton Fields"!?! Of all the songs in the CCR catalog, why the hell was he playing "Cotton Fields" and doing so in the middle of Brussels?  Questioning it would only ruin the sweet surprise of it all. Instead I threw him a handful of Euros and did what comes natural: tapped my foot and sang along. My guess was that I was the only person who knew that tune within earshot...and I loved that.

Here is a quick clip of him finishing the song...with a bit of help on vox from yours truly:

(download)

As soon as he was done, I made haste for the shop. After a few more lefts and rights, I was there: "The Collector Record Gallery".  The sign was a dead giveaway that I had arrived, but I knew that before I saw it. As I made my way up the street I could hear the loud, searing sting of Albert King's Flying V. 

The front window was full of vinyl, DVDs, books and CDs. Store front windows display their top wares in order to get people to come in to see what else is inside. This was a damn fine store front window. Inside there were a dozen or more serious vinyl flippers like myself. From what I could tell I was the only English speaking music freak in the shop. 

           
Click here to download:
From_Blogs_to_Brussels_music_i.zip (9482 KB)

Myself and five other guys were leaning on the counter positioned around the turntable.  None of us said a word, but we were speaking the same language: Albert King. Albert King was our translator. A few of us were rocking back and forth to his blues and everyone was smiling and nodding at one another.  This is why music is so damn cool. You don't have to understand the lyrics, you don't have to know what the hell the song is about...shit, you don't even have to know who is singing it. Ain't nothing to do but sit back and let the man play...

We all had a few blues albums under our arms ready to buy. I motioned to one of the guys to see what he has holding. He handed his stack over to me. This guy had taste: live Magic Sam, Fred McDowell and a Mike Bloomfeld bootleg. I smiled and shook my head in a approval and pretended to take them for my own! He reached out for them and shot me a "oh, no you don't" look and then chuckled. The other guys joined in for laugh, too. 

I paid for my selections, shook a few hands and then left the shop. 

I am continually amazed at the role music has had in my making friends and acquaintances all over the globe.  Whether it is through this blog or random record shops in Brussels, music has been my great communicator.

Hail, hail rock and roll...

 

Filed under: Tune Tags

Judd6149 says...

It was somewhere close to 11:30pm, we had been drinking all day and my apartment was full of chicks. Well, let me qualify that for you: the chicks  were actually my wife and her four best girl friends. We did in fact drink all day, out on a boat on Sydney harbour....and in a string of bars...and, finally, back in our apartment. 

As was the case, and as I am want to do in situations like that one, turned to the stereo.

Usually when I kick-off a late night song splurge, I pour myself a tall glass of Wild Turkey with plenty of ice. The occasion in question though called for something with a little more moxie: The Grievous Angel.  

What is the Grievous Angel?  It has only two ingredients: Mango Gatorade and Jose Cuervo (your mouth is watering, isn't it?). I only break out this particular libation for creating late night stereo vibrations. It's origins date back to living in Florida, playing my tunes at top volume, hankering for a mood alteration and only having only the two aforementioned ingredients on hand.  

Like they say, "If you can't be with the one you love, love the one you're with..."

With drink in hand, I started to pull songs from my vast collection in hopes of turing the girls on to new stuff.  Once they were knee deep in a serendipitous sound sampling, I decided to throw 'em a (country) curve: Willie Nelson. 

"Willie Nelson?!", they yelled out in unison. "Please don't play Willie Nelson. If you are going to play country, at least put on some Brad Paisley or Keith Urban".

[silence]

After they picked me up from the floor and wiped away the blood that tricked from my ears, I attempted to teach them a lesson about country music. 

"Country music," I told them, "comes in four flavours: Willie, Johnny, Waylon and Merle. There is no room in country music for candy-assed cowboys, "guyliner" or GAP ad posers. Just because you sing about your truck, heartache and BBQs doesn't mean you are fucking country singer".

They laughed at me: "What do we want with that craggy ol' country fossil anyhow?" 

Surely the drink had gotten to them. They were delirious, crazed from the heat, strung out on hubris...but, they persisted.

"What makes you think Willie Nelson is going to be able to sing anything that'll make us swoon over him? He looks like his horse has been riding him for all these years. He was lucky Julio Iglesias let him sing with him". 

Things were getting out of control and really staring to amuse themselves. I had to put a stop to it and there was only one thing left to do...take a deep swig of the Grievous Angel, give the gals a steely look and pull out the big gun: "Song for You"

Do you know this song?  It was written by Leon Russell in 1970. Aside from Willie's version, it was most famously covered by Donnie Hathaway (another personal fave performer of mine). Here is a wikipedia link for the song if you want to see who else covered it (please, I BEG of you, forget the fact that Michael Buble covered this song...in fact, forget that Michael Buble ever existed).

"Song for You" is a flat out heartache no matter who sings it (aside from "you know who"..."MB"). I love the Willie version best.  If you didn't know it before, after listening to his vocal, you know that that his voice is one of the true treasures of American music. It is not just country, it is Country; USA...pilgrims; pioneers; patriots.

For my my money it is one of the best straight vocal performance ever put on record. It is such a clean vocal. It has depth and sincerity and feels like an apology, a love letter and a pleading, yearning request for forgiveness and appreciation.  Seriously...I am not overstating this. Really...

The girls decided to give me and Willie one shot to win them over. I played "Song for You" for them. I quieted the room, turned the lights down a bit, moderated the volume to give the vocal the right effect, and I hit play....

Have you ever had a good cry?  The ones that make everything right and cause you to laugh out loud? You're not really sure why you are crying, but you feel the need to just emote. Yes? No? Well, this is what the room felt like at the end of that song. The girls that had never heard it (my wife excluded) sat quietly until sniffles and tears gave way to smiles and call-outs to "play it again...in fact, don't stop playing it".

I knew it would work.  We played the song over and over again until one by one they started to nod off. I had tried to play other Willie tunes, but it was too late...they had been sweetly seduced by the Redheaded Stranger. 

They swooned for Willie.
_____

You should have a listen to the other two versions I recommend: the original version by Leon Russell (again, he wrote the song) and the incredible, soul-drenched version by Donny Hathaway:

Also, you MUST watch this video of Leon, Willie and Ray Charles do this song on one of Willie's primetime TV "Willie & Friends" specials. Ray was in bad health and there was question if he could make the show. He ended up not only making the show, but stealing it with his performance here.  

Watch Willie get lost in Ray's presence as he tries to hold back his own tears. Shit, I just stopped writing to watch it again...son of a bitch choked me right up. Whew. Powerful.

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_____

Post Script: 

When these girls flew from the States to visit us in Sydney in 2008, they all stayed at our apartment. Four women visitors, a wife, two dogs and me in one apartment. Can you imagine the shit-fight I would have had trying to get into the ONE bathroom?  

I was a bit scared about this..until my wife approached me with one of the best ideas she has EVER come up with. She said, "Would you mind if I just rented you a small hotel room in the city while the girls are here?"  

Reason #108 why I love my wife.  

Ah the bachelors life...just like riding a bike. I felt like I was in my Boston apartment again: no TV, only beer and water in the fridge and music playing 24-7 (minus all the other stuff...because playing bachelor is much different that actually being one).

Here are some snaps of my (temporary) home-sweet-home.

     
Click here to download:
The_night_I_witnessed_Willie_N.zip (1534 KB)

Filed under: Tune Tags

Judd6149 says...

           
Click here to download:
The_CD_Conundrum_Coasters_or_C.zip (7913 KB)

Images of me unpacking and resorting my CD collection in my new London flat.

For those of you who do not know, I have been on my own World Tour of sorts as of late. In 1996 I lived in Newport, Rhode Island. In 1998 I moved up to Boston, where I met my wife (at a Tom Petty concert: find out how here). In 2002 we moved from Boston to Ft. Lauderdale, FL. In 2005, we made the big move around the globe to Sydney, Australia. This past September we relocated to London; ironically we now live on Sydney Street.

There are two things I have always traveled with no matter where I have rambled: my wife and my music collection.  Arguably these are the two most important things in my life; I couldn't do without either. Funny though, I have had a longer relationship with my music collection than my wife (she and I have been together over 10 years). My wife is not the jealous type, nor should ever have reason to be: I am an extremely loyal and dedicated man.  Which is why she shouldn't be surprised at my resistance to want to shed my vast collection of CDs.

My collection is 1,419 albums and box sets strong, consisting of both CDs and downloads. Recently I have converted back to vinyl (75 albums and growing) after decades of turning a deaf ear on their sonic brilliance. You can read through it all here in a live-list I created in a Google Doc: Judd's Juke Joint. I update this whenever I add to it. There is also a tab for my music related DVD material as well. 

Before I go any further, let me say this: as far as I am concerned my collection is 99% fat free. While I do think that size matters, quality is of most importance. 

As you can see in the spreadsheet I am in the process of highlighting which albums are physical CDs and which are downloaded bits and bytes. In my rough estimate, just under 1,110 of my collection is in CD format (including box sets).  That is a quite a load to haul around the world with me. I am thinking of making a move that scares the shit out of me: junking all of my physical CDs.

I am entertaining this thought for a few reasons:
  1. The sheer volume of CDs is cumbersome to move (around the world or otherwise)
  2. The majority of the CDs are on my two Macbooks. One of which is dedicated to just play music wirelessly around my flat.
  3. Because of #2, I hardly ever go to pull a CD off the racks to play it...I do only if I haven't already ripped it to my laptop
  4. My taste for vinyl.  
Why am I keeping all of these CDs?  I don't know, really.  Part of it is that it is tangible. I love seeing this tower of CDs everyday. A lot of work and play (and $$$) went into amassing this collection. Yes, I am emotionally attached to all of that polycarbonate plastic.

Conversely, I LOVE sifting through my vinyl collection and physically playing and flipping records...which is not easier nor is it more convenient. This of course, is because the sound and the experience from vinyl is worth the effort. The CD experience in comparison is shit. Having to get up and move across the floor to flip the record is exciting...I am actively participating in the music. Yes, I am now emotionally attached to all of that beautiful black lacquer.

So, what is poor music fan to do, 'cept to play some ol' rock and roll bands...899.html">heh heh.

Here is what I am thinking about doing if I decide to do anything at all:
  • Rip my entire physical CD collection to hard drives. I would put as much on my Macbooks as I can and the rest, in its combined CD and download glory, would be stored on external drives. I would back it up to as many as necessary until I feel secure. I could keep two on hand, get a safe deposit book for one and send one to my parents in New Hampshire for extra safe keeping.  And If all fails, I can bury one under a rock in Buxton, Maine for Red to dig up when he gets out of prison. 
  • I would then take all of the CD inserts/liner notes from each case and store them in a photo-album or something similar. This way I can have the info if I ever need it (this sounds like madness, doesn't it...).
  • I could hook up my external drive to the computer and play everything and anything through my wireless network set up throughout my flat. This is also very convenient for mobile-music
  • I would find some young, deserving music fans and donate my CD collection to them. I would divvy it up into assorted chunks so that the recipients would get a good mix of blues, soul, country, etc.  If I do this, I might have to forgo keeping the CD inserts. 
This would leave me with all digital files, vinyl and box sets (I would keep those in physical form). I think...think...I could live with that.  But how would I buy music?  

Let's use the last Bob Dylan album, "Together Through Life", as a test case. I bought that on vinyl and it came with a CD of the tunes sans CD packaging fanfare. This is best of both worlds: my preferred vinyl in 180 gram goodness and a CD to rip to my digital collection...and I get to give the CD to a deserving music fan/friend. If the album had come with a code for download that would have been just as good.

Anyhow, this is where I am at with my collection. I am not in a hurry to decide. All I know is that my collection will only grow.  While I LOVE the thought that it will get out of hand, it could get physically unmanageable as I move from place to place. 

Are any of you in the same situation? What are your thoughts? How have you/would you act on this...if at all? How do you buy your music? What are the holes in my potential plan?

Tune Tags

I chose "Sparks" by The Who as the tune tag for this post. This was the song playing in the movie Almost Famous when a young William Miller was flipping through the vinyl collection left to him (...to liberate him!) by his sister.


 

Filed under: Tune Tags

Judd6149 says...

     
Click here to download:
Autumn_Audio_flannel_shirts_le.zip (176 KB)

(scenes of New Hampshire in the Fall)

If you're a little bit of country and have never visited a website called "When You Awake", you ain't worth your salt.

Jody, who runs the site, says that When You Awake is an "ode to country life, celebrating everything from classic country and rock to the the current indie folk and roots scenes. The daily blog features music news, mixtapes, ticket giveaways, style finds and much more".  She does a great job curating all kinds of great tunes that go twang into mixtapes for you to download.  I know I've burned my share of bandwidth on her site.

There is a lot there to read and hear, so make sure you have time on hand when you have a gander.

In a recent post, she put together a list of "Seven Songs Shaping our Fall".  The brief for this exercise: include songs that you are really enjoying now, that are shaping your life...genre be damned. Follow the link I provided for you to see what she came up with.  

In a subsequent post Jody posted Fall song lists from "friends and trusted bloggers". She also suggests that we readers add out own lists in the comments.  It is always great to see people respond to requests/posts like this. I enjoy seeing what everyone has their ears to and what new songs/artists I can get turned on to. 

Of course this is a two-way street; I couldn't help but add my own list. A few others added their seven songs, too. Check the list updates here.  You'll find mine in the comment section.  I'm also adding it here, with my comments from the post, as well as with a Tune Tag playlist attached.

p.s. my "little bit of country" comment in the first line of this post was a tongue-in-cheek nod to two towering Champions of Contrived Cultural Cheesey-ness.  I can't believe I am even linking to this (there goes my street cred). Warning: this may make you puke in your mouth.
_____

My Comments from When You Awake:

Great idea for a list. I am from New Hampshire but I have been off living in Sydney Australia and now in London. I miss the fall. Just looking at that picture takes me back to the N.H. fall with short, bitter days and long, warm nights of carousing by a jukebox with friends.

Here are my seven (this list wears a flannel shirt and should only be listened to on a roadtrip, preferably on a dirt road):

1. The Mountain - Levon Helm (Dirt Farmer)
2.
Pullin’ Up the Tracks - Dave Gleason (Midnight California)
3.
Wagon Wheel - Old Crow Medicine Show (O.C.M.S.)
4.
Can’t You See - The Marshall Tucker Band (Marshall Tucker Band)
5.
Long May You Run - Neil (Decade)
6.
Hickory Wind - GP (Sacred Hearts & Fallen Angels)
7.
Car Wheels on a Gravel Road - Lucinda (Car Wheels on a Gravel Road)

(Cameron Crowe would be upset at me for not having an Elton John song on a roadtrip mix tape: Country Comfort - Elton John (Tumbleweed Connection)

 

Filed under: Tune Tags

Judd6149 says...

What's a cover song, really?  Is it a "tribute" to an artist or is it just an excuse for not being able to come up with a song "as good" or any good songs at all?  Maybe we should ask Steve Earle.  

I just saw Earle last night here in London. It was my first time seeing him perform. I liked it. It was an earnest and humble performance: a tribute to his "teacher", Townes Van Zandt. Earle just released an entire album of Townes' song, aptly titles, "Townes". 

Earle was unapologetic in his unabashed covering of Townes. He did it in tribute. He told us that this album of Townes penned tunes outsold his last two albums of original material ("as a singer/songwriter, that hurts a bit"). I was sitting 3rd row, dead center. I thoroughly enjoyed the show. He delivered each song with passion and told tall tales about times he and Townes shared. 

[NOTE: This conversation I am starting here is not really a solo job. I really need to be having it in a bar with four other half-stoned, full drunk music freaks. That being said, do what you have to do in the comfort of your own interweb.]

Cover songs. Some are brilliant: Hendrix - "All Along the Watchtower".  Some are fucking train-wrecks: Britney Spears - "Satisfaction".  What I find funny about cover songs is that the "cover-er" is singing the "cover-ee's" lyrics, some of which are heartfelt and personal. Case in point: Jackson Browne's: "These Days". 

You can argue that every one of Browne's songs are completely saturated with sentiment that oozes from every groove. How can another artist take a song like, "These days" and turn it into a full on autobiography sans parody? Don't ask Nico that question (her version: I have been in surgery theatres less aseptic than her version)

Ask Gregg Allman. He knows all too, dangerously, well.

Have you listened to Browne's, "These Days"? Have you had a listen to the lyrics?  Let's jump right to the second and third verses:

Now if I seem to be afraid
To live the life I have made in song
Well it's just that I've been losing for so long

These days I sit on corner stones
And count the time in quarter tones to ten, my friend
Don't confront me with my failures
I had not forgotten them

It is a contemplative song. he's looking forward, but also looking back. Jackson Browne: "I've been losing for so damn long that I am a bit hesitant to live my life in song". That's cool, Jackson.  You can reconcile your past though, can't you. "Hey", he says, "I fucked up in the past, I haven't forgotten about that".  Thanks for sharing how you do it...by forgiving yourself and counting quarter tones.  His version is pleasant. It makes you feel good about forgetting some mistakes you have made and moving on. 

Now...go listen to Gregg Allman's version. This...this is a cover song that completely dismantles the original version. It kidnaps it, takes it across the country, avoiding amber alerts along the way, and gives it a new identity...and forces it to live an entirely different life than originally intended. And it does it with ONE WORD. One kick-you-in-the-balls word.

Let's go back to that last verse:

These days I sit on corner stones
And count the time in quarter tones to ten, my friend
Don't confront me with my failures
I had not forgotten them

Gregg takes the last line and swaps "forgotten" for aware. WHAMO! He take the song and turns it from jaunty, feel good, I'm OK-You're OK, tune to a I'm-still-neck-deep-in-the-shit, can't get out of my own way to save myself, present-tense, pity-party lament.  I fucking love Gregg's version.

If you know Gregg's story [as told in the rock-press/history books and interviews]...he has many personal failures. Need a place to start, go here. Hey, the man has many successes as well...but that is not what this song is about. 

Go back and look at the one line in the third verse: "Well it's just that I've been losing for so long".  As Gregg sings this song, he is still losing and it is because of those failures that he just can't shake. 

OK...now go listen to the two versions. They are not all that different stylistically. Gregg's is a bit more of a dirge.  It may be my rock and roll fantasy, but I am sure he made the ONE WORD change before recording the song, which had to have an impact on his delivery.

Are you with me now?  Gregg now owns that song. If I didn't know better, I would have thought Jackson covered him.
_____

A lot of people have covered this song. Do you think anyone else out-Jacksons Gregg?

Filed under: Tune Tags

Judd6149 says...

I like to do my reading in bars. I like that reading is a solitary activity; I don't like solitary confinement. I like to read in bars because there is always background action. It reminds me of when bar bands play where half of the audience is listening and the other half is fragmented with loud conversations, hook-ups, put downs and bar flies who drink Mad Dog margaritas and roll funny cigarettes.  

The latest bar-book session I had was to finish off Chuck Klosterman's third book, "Killing Yourself to Live: 85% of True Story".  It was my first time reading Klosterman. I had first heard (of) him on Bill Simmon's ESPN podcast, the B.S. Report. Based on that initial listening, I think Chuck would make an excellent, if not slightly deranged, police interrogator. Not Richard Belzer on Law & Order deranged...more like like way Mork from Ork would do the job. I especially liked the way he kept dry humping what ever topic he and Simmons were discussing. He came off like an obsessive compulsive who flicks the light on and off before entering or room or a little kid who can't help picking at his scabs.  

I found it entertaining. 

The book centred on Chuck's road trip from rock and roll grave site to grave site, spanning east coast to west, from NYC to Seattle. Could Chuck find answers to the existential and cultural questions as to why Rock Stars who die prematurely, get (commercially) better with age?  Fuck no. He spent most of the time talking about past and present girlfriends and how he either was fucked up in the relationship, fucked up the relationship or couldn't get fucked in the relationship. 

All of this was mildly entertaining and maddeningly narcissistic. The saving grace of all of this girlfriend bullshit was when he was able to compare evey female relationship he ever had with each original and faux member of the band, KISS. That was worth the price of the book (but only if you buy it used and in paperback).

After reading the book, I am not sure what to think. He is talented for sure, but the book left me with a bad date feel.  You take a girl out, conversation picks up, you think it may be going some place and then...you hit quicksand. Halfway through the book I felt like I in quicksand [note: I have never actually been in or even seen quicksand, but this is how I imagined it would feel]. Chuck was there for me though. He kept offering me a branch to grab on to so he could pull me out. I kept reaching for the fucking branch and every time I was almost out of the quicksand, Chuck would lose his grip and back in I went. 

I am going to give his first book, "Sex, Drugs and Cocoa Puffs" a read and see where that leads me.  As I said, I find Klosterman entertaining and I enjoyed his writing writer. His recent review of the Beatles re-issues was sardonic, funny and, oddly, right. Check it out HERE.

I finished the book at the bar. I usually know how engrossed I am in a book by how many beers I drink while reading. If I can get off my stool and not have to take a piss straight away, I didn't drink too much and was engrossed. If I put down the book and need to do my Usain Bolt impression to the toilet, I know I made many trips to the bar and wasn't all that into what was I reading.

As soon as I finished Chuck's book, I sprinted for the bathroom. In fact, I forgot to leave the book at the table. I got in there, tucked it up under my arm and did my business. When I was leaving, I decided this book needed a fitting resting place other than my Shelves of Cool.   I left the book atop the paper towel dispenser.  I figured if someone would actually want a book that was left in a Swine Flu, Ass Flu or Flu Du Jour filled London pub bathroom...they could have it. 

I would love to see their reaction when they got to the end of it and realised that I ripped out the second to last page. Maybe it will make sense after all...

Tune Tags (Chuck's Blues):

Filed under: Tune Tags

Judd6149 says...

Yesterday I was enjoying walking aimlessly through the streets of London.  I hopped trains and hoofed sidewalk ("footpaths" if you are in London) for the entire morning and most of the afternoon. My vagabond-like wandering ways led me to East London's, Brick Lane.  Brick Lane? That sounded familiar.  Why? That is where Rough Trade Records (East) is. Perfect.

This was one of prime stops on my London record shop search.  I had already been to the Notting Hill Rough Trade shop and liked what I bought: a classic, out of print (vinyl), Neil Young album. My music-mate, Kip, gifted me 50 quid worth of Rough Trade vouchers and I used some of them to get the Neil vinyl. I used up the rest of the credit yesterday in glorious fashion. 

This was my first trip to this particular Rough Trade location. I needed to survey the scene before I started flipping through the vinyl for buried treasure. Right when you walk in there is an espresso cafe on the left. To the right is a lazy lounge setting where you can caffeinate, chat or check out your recent booty. The walls are littered with playbills, "drummer wanted" notices and other images and adverts. It is a hodge-podge of knick-knacks and paper scraps that I find entertaining if not curious. 

                       
Click here to download:
Vinyl_Vagabond_Something_Old_S.zip (11387 KB)

They have a lot of stuff there. Books, CDs, T-shirts, Logo'ed bags, pins, posters and, ah, oh yeah...music. There are vinyl bins, CD racks and DVD shelves. In my opinion, there was too much stuff. The store is a big space and they may be trying to fill it. I think it could have had more of a music focus in its layout.  If you have ever visited Newburry Comics located in greater Boston (USA)...that is what this Rough Trade shop felt like to me. A bit (too much) of everything, with the music standing the shadows. That being said...I loved the place.

They did have a great listening station up at the counter.  You can sample anything you want and take all the time needed to do so.

The vinyl section was decent; to be honest I expected more. The shop in Notting Hill had more vintage vinyl, which is what I am after mostly. Fine. that may the way they have the shops differentiated. Nonetheless, I was here for vinyl and vinyl I would get.

I went straight for the blues section. There were twenty or so records there to flip through. I found a few I really liked by Blind Lemon Jefferson, and Charley Patton (my fave prewar  Delta Blues man). These are not original pressings, mind you, but they are well crafted vinyl reproductions. The Blind Lemon album was a collection of songs called, "I want to be like Jesus in My Heart", released in 2009 on the Monk label. The Patton album was also from Monk; for my taste it packed much more of a wallop than the Blind Lemon set. 

Something Old, Something Blues

The Patton album I ended up buying is called, "Electrically Recorded: Prayer of Death". Actually, this is one album in a four album set that Monk has put together called, "Charley Patton: You're Gonna Need Somebody When you Die - The recorded works of Charley Patton". It covers Patton's work from 1929 - 1934 and is presented in simple and straight forward packaging. I already own all Patton's recordings...and then some. I own the extremely well done and unabashedly over-the-top box set called, "Screamin' and Hollerin' The Blues".  Allmusic calls it, "perhaps the most lavish, nay incredible, box set ever devised for a blues artist...". Click the link below to check this out. It is one my cherished possessions (a gift from my wife last xmas along with my turntable...she's so cool).

p.s "I'm Going Home" was just covered by the Derek Trucks band on their recent album, Already Free.

Something Southern, Something New

The other two pieces of vinyl I bought are by the Drive-By Truckers. This is one of the new bands I like. I say new only because so much of what I listen to on a daily basis is considered old (I prefer lasting). These guys flat out rock. They are born of a southern tradition that draws on memphis routes and southern rock stalwarts like Lynyrd Skynyrd. 

The Truckers tell dark stories with vibrant imagery. They can rev up rockers and lay down ragged and southern-soulful ballads. I love their albums, especially the two I found on vinly: "Decoration Day" and "The Dirty South". If you aren't familiar with them, please go and find them out. They put on one hell of a live show, too. You leave feeling exhausted and exhilarated. 

The Goods

The music you hear in this clip is definitely not Charley Patton...it was what was playing in the store (I was wearing headphones).  But, it is Ol'd Charley spinning round and round.

(download)

Filed under: Tune Tags

Judd6149 says...

William Miller: "So Russell...what do you love about music?"
Russell Hammond: "To begin with...everything".

Exactly! This is the last bit of dialogue we hear before the end of the movie, "Almost Famous". It is the scene where William finally gets his interview with Russell. It is a moment that induces head nods and knowing grins from all serious music fans. I (we) know exactly what Russell means. Everything means, well, everything

It is not any thing about the music; it is everything about the music: the songs, the vocal and musical nuances, the inspiration for the song, the actual recording of it, where they recorded, the band, the guest musicians, the album cover, the naysayers, the promoters, the stories and all of the tall tales associated with the music...everything.

Here is a bit of  "everything": 

On Bob Dylan's 2001 release, "Love and Theft", drummer David Kemper tells a revealing tale about the "training" Bob put them through initially. Rehearsals for the new album started nearly a year before recording it. Kemper said that one time, for a period of three days straight, Dylan had the band play only Dean Martin songs(?!). Dylan would have them do this with many other early legendary and unheralded American recording artists. The band would rehearse these songs over and over and then never play them again once Dylan had heard what he wanted to hear. 

A year later when they began the recording process, Dylan would introduce a new song such as, "Summer Days".  He would instruct the band to play it in the style of Dean Martin or one of the other artists they had practiced. Dylan had been training the band (a year in advance!) for the sound he wanted the album to have.  Kemper said it was like going to the "School of Americana, as taught by Bob".  That gives me a whole new perspective on the album each time I put it on. You can't go back and have a listen and not think about this. 

Everything does not have to be a legendary tall tale either. There is a scene in the director's cut of "Almost Famous" where Russell give us a hint at what he means by everything. Right before Stillwater plays their first gig, Russell is talking to William about the significance of the "littlest details in songs".  Russell said that these little details are the ones that people "remember the most".  Russell uses the "first whooo" in Marvin Gaye's, "What's Happening Brother" as an example (I included that in the Tune Tags playlist below. The "whooo" shows up at 2:15...and the first one is the memorable one).

Russell (Cameron) is right. These are the unplanned, down to the bone, in the groove moments that can make bad songs good and great songs legendary. They are real moments of inspiration and emotion that collide and combust from within the musicians...because they are feeling it. That is what makes the songs special. That is why we like these little moments.

You must have a few of these yourselves. I know I do. In the spirit of Russell's "everything" and "littlest details", I am offering up ten songs that strike sparks for me.  I have included a bit of twitter'esque detail on each "little moment".  Feel free suggest some of your favourites and I will add them to the playlist for others to put their ears to. 

  • Neil Young - "Cinnamon Girl":  Here is another "whooo" for you and it happens at 2:09.  The "whooo" coincides with this guitar solo that launchs out of the heavy-duty muck n' mire rhythm that Crazy Horse is laying down. 
  • Derek and the Dominoes - "Little Wing": Clapton and Duane Allman trading licks on a Jimi Hendrix song.  I'd shout out "whooo" too if I was Clapton (1:55)
  • The band (w/The Staple Singers) - "The Weight":  This is from The Last Waltz and it is all about Mavis Staples.  There are two bits in here that make this a bow-down track for me. This is such a "breath-y" performance.  You get the feeling she is stirring something up inside and getting ready for the pay-off (an example at 1:03). That pay-off comes at 1:26.  It is a this from the gut "unh-huh" that brings me to my knees each time I hear it. 
  • Rod Stewart - "Every Picture Tells a Story": I love this song. It always make me feel like traveling...on a whim. I think it is Rod's best penned song (with help from Ronnie Wood). At 2:35, Rod lets off a rather rowdy Whooo! (another "whooo"!). It might have something to do with Kenny Jones thundering away, Ronnie starting in with this galloping acoustic and the female back singer firing off an inspired backing vocal. Whoo indeed. (by the way, this one is on the Almost Famous soundtrack)
  • The Rolling Stones - "Prodigal Son": A two for one! One of my "little moment" here comes at the end...but the entire song is needed to make it happen. Keef is strumming the hell out of his acoustic. You think he was enjoying himself? If the abrupt and ramshackle "heeyaay" is any indication...yes. The other one is a Mick moment. At 1:55, Mick drawls off a "mercy" that almost makes you feel like he means it. 
  • Tom Petty & The Heartbreakers - "Shadow of a Doubt": Another two for one. At 2:03, Tom puts this inflection on the end of "kid" that starts to rev me up...and himself, too.  The tension starts there and builds up until Tom shouts out "aaaaiy" at 2:42. The song doesn't slow down from there. 
  • Drive-By Truckers - "Sink Hole": One of my favourite "new" bands.  The Truckers tell a good story and this one by Patterson Hood is no exception. There is passion here, because it is most likely a true story.  The song moves like a stock car driver frantically trying to come up from the back of the pack. By the time Patterson gets to 3:12 and delivers that "eeeoouuuaaagh" you know he damn well means it. 
  • The Animals - "The Story of Bo Diddley": Eric Burden spends five minutes and fifteen seconds telling us Bo's story. By 5:16 he has worked himself into a tizzy and squelches off a "eeehaaaaayy Bo Diddley" that came from the soles of his feet. This is a long song, but I always find the payoff worth it. 
  • Warren Zevon - "The French Inhaler":  What a GENIUS song.  The lyrics are truly a gift to the listener.  Apparently this was about his wife (word is she was "ending up with someone different every night"). At 3:28, Zevon makes a kissing sound into the mic (the great kiss-off, perhaps). I have listened to numerous other studio takes of this track and have not heard that anywhere else. My guess is that this was a timely improve...and it works. 
  • The Rolling Stones - "Casino Boogie": Ah, Keith. The master of the perfect anti-harmony vocal. On "Exile on Main St." he was in rare vocal form. There are so many Keef moments on this album that it is hard to choose. This one always makes me smile: check out Keef's squealing of "understaaaand" at 00:46.
OK, your turn. I'll add them to the playlist...
_____

*Disclaimer:

I am a bonafide nut over Almost Famous. I love the story and the romantic notions of a life as an outsider on the inside of this cool scene that was/is Rock and Roll.  Cameron Crowe did a brilliant job recreating the times and telling his own story. Here is a funny story of my own: 

Circa 2003 I was living in Fort Lauderdale, Florida. My wife had gone to the Florida Keys with some girlfriends for the weekend. I came home on Saturday after a night of drinking and carousing with my buddies. I decided I was going to watch Almost Famous in its entirety...which I surprisingly did considering my state of being at the time. 

About three weeks after this night I got a package in the mail...from Cameron Crowe?! Well, it wasn't Cameron himself, but someone on his behalf. This is where things get fuzzy. Apparently, after I finished watching the movie, I went on Crowe's website. At the time they were selling screenplays from the movie with a handwritten, personally addressed note from Cameron...complete with coffee stain on the cover. I bought one. I didn't even remember that I did it. But, there it was, at my doorstep. It was nicely bound and was printed on heavy stock paper...complete with the note from Cameron.

Wow.  My wife was just shaking her head and laughing at me. I think it cost thirty or forty bucks. The funny thing is, I probably would have bought it sober. I still have it, but it is on the open sea on the way over from Sydney, Australia along with the rest of our belongings. When it gets here, I will post a picture of it and the handwritten note. 

I found a free copy online and have attached it here for reading or downloading.

Click here to download:
Cameron Crowe's (355 KB)

Tune Tags

The Goods
  • Cameron Crowe's website
  • Almost Famous Wikipedia Page (lots of great insights and factoids here)
  • Almost Famous IMBD page 
  • Check out Bill Simmons', The ESPN Sports Guy, use of Almost Famous in one of his recent columns about the offseason for the NBA (well worth the read just for the AF reference alone) 
  • Podcast that talks about the recording of "Love & Theft"
  • "Untitled": director's but/bootleg of Almost Famous (this is suberb...better than the original theatre cut)

 

Filed under: Tune Tags

Judd6149 says...

I was listening to the iPod this morning while strolling the London footpaths. The Shuffle was working its magic, offering up a wicked three-in-a-row of My Morning Jacket > Chuck Berry > Waylon Jennings.  With The Shuffle it is a serendipitous sound surfing, never know what is coming next. 

What I got next was from The Gonzo Tapes. The Gonzo Tapes is a five CD set of audio recording of and by Hunter S. Thompson. The recordings of Hunter's mumbles, slurs and twisted Kentucky drawl cover the years of 1965-1975 and it over 100 tracks long.

If you are devout Hunter fan (like I am) you will find this utterly fascinating if not overwhelming.  It is both exhilarating and exhausting to listen to 9I mean this in a good way). When I indulge in repeat listens (of which there are many) I like to be alone in the house, turn it up very loud and double up on that tumbler of Wild Turkey. The extreme volume squelches out any other sounds in the house and disrupts any clear thoughts you may have; hang on and listen.

The Gonzo Tapes track that came up is from the Fear & Loathing in Las Vegas era. It is Hunter surveying the carnage in the hotel room after a week's stay with "Dr.Gonzo".  He is riffing on the scene for a matter of record. If you are familiar with the book, you can see the germs of the vibrant imagery and dark happenings expertly transcribed in the pages of the book. 

It is a fun tour of an apparently debauched and ravaged hotel room.  His blasé attitude is cavalier in light of the looming deadline, the heavy room tab and the severe state of his being ("I should be put in a rest home...if not a jail."). My favourite part is at 3:57 when he says, "I have no guilt". He means it, too (The Gonzo Way, Lesson #7: "Never apologise, never explain").

Here, listen and enjoy:
  
(download)

Hunter was a massive fan of music. It was most often a central character in his best works. Here is a quote on music from the Good Doctor:

"Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio." 

Dammit. I miss Hunter.

In 1999, Hunter was asked by a UK label to string together a playlist of his favourite Fuel to be packaged up for sale. It was called, "Where Were You When the Fun Stopped".  Back when I lived in the States, I ordered a copy from the UK by mail. It is classic Hunter.  The quote above is from the liner notes.

There are the obvious choices (obvious if you know Hunter) from Zevon, Dylan, The Airplane, Buffet and Lovett. There are also a few savvy selection of which you may never heard. Here is the coolest one of the collection:

"The Ballad of Thunder Road": Who knew Robert Mitchum sang, let alone sang bad-assed shit?! Hunter chose the Mitchum's reading of the song from the name of the same movie Mitchum Starred in.  

You willing to bet Hunter stepped hard on the gas when he heard these lyrics? I would.

Roarin’ out of Harlan, revvin’ up his mill
He shot the gap at Cumberland, and screamed by Maynordsville
With G-men on his taillights, roadblocks up ahead
The mountain boy took roads that even Angels feared to tred
.

Tune Tags

Fuel for your fire:

The Goods

Prior posts on Hunter from The 6149:
Lookee Here! (links):
Track listing for "Where Were You When the Fun Stopped":
  1. Ballad of Thunder Road - Robert Mitchum
  2. I Smell A Rat - Howlin' Wolf
  3. Spirit In The Sky - Norman Greenbaum
  4. The Hula-Hula Boys - Warren Zevon
  5. Maggie May - Rod Stewart
  6. The Wild Side of Life / It Wasn't God Who Made Honky Tonk Angels - Hank Thompson feat. Kitty Wells & Tanya Tucker
  7. Will The Circle Be Unbroken - Nitty Gritty Dirt Band
  8. Mr Tambourine Man - Bob Dylan
  9. Walk On The Wild Side - Lou Reed
  10. If I Had A Boat - Lyle Lovett
  11. Stars On The Water - Rodney Crowell
  12. Carmelita - Flaco Jiminez feat. Dwight Yoakam
  13. Why Don't We Get Drunk - Jimmy Buffett
  14. American Pie - Don McClean
  15. White Rabbit - Jefferson Airplane
  16. The Weight- The Band
  17. Melissa - The Allman Brothers Band
  18. Battle Hymn of the Republic - Herbie Mann

Filed under: TuneTags