Search posterous

Search all posts and users. Type a name, type a favorite song title, whatever! See what comes up.
  

More posterous blogs











More recommended blogs »

Here are posterous posts filed under rome...

Mr Berre says...

Op vrijdag 27 november 2009 bevatte de Media.com-katern van De Morgen een interview van Jan Temmerman met Reinout Oerlemans: "Tv is duurste wegwerpproduct ter wereld - Nederlandse televisietycoon Reinout Oerlemans komt tot inzicht na het draaien van zijn eerste film".

Een opvallende titel, en dit is hoe 't klonk in het interview:

Wat ik nu ga zeggen klinkt als een open deur intrappen, maar televisie en film zijn eigenlijk twee totaal verschillende werelden. [...] Kijk, televisie is het duurste wegwerpproduct ter wereld, want je zendt het uit en het is voorbij. Het is weg. Dat is er spannend aan, want je moet scherp blijven, op je tenen lopen en scoren. Terwijl film een product voor de eeuwigheid is.

Tiens, nochtans hoor ik al zowat tien jaar dat TV-drama superieur is aan films, zelfs van bekende filmmakers (die vaak overgestapt zijn naar TV). Ik doe even een greep: The Sopranos, Band Of Brothers, Mad Men, Generation Kill, Weeds, Lost, Deadwood, The West Wing, Damages, Six Feet Under, Rome, Dexter, Battlestar Galactica,... Om nog maar te zwijgen van andere genres: The Daily Show, Seinfeld, Monty Python's Flying Circus, Arrested Development, The Office,...

TV is een "wegwerpproduct"? Oftewel: "je zendt het uit en het is voorbij. Het is weg."? Excuseer? Play.com heeft een "TV on DVD"-afdeling, Amazon.co.uk heeft dat ook, en er zijn zelfs firma's die zich specialiseren in het uitbrengen van cult-TV-shows. Of wat te denken van de Amerikaanse website TVShowsOnDVD.com? Loop een FNAC of MediaMarkt binnen en je ziet specifieke TV-afdelingen binnen het DVD-aanbod, vaak op een prominente plaats.

En "duurste"? Ik ga niet beweren dat TV-maken goedkoop is, maar voor de prijs van 1 blockbuster kan je zowat een heel seizoen bekostigen van een gemiddelde serie.

Arnie heeft vreemde opvattingen, kortom. ("Arnie" is de naam van het personage dat Oerlemans speelde in Goede Tijden, Slechte Tijden.)

Of wacht eens, misschien ligt het ergens anders aan. Dit zijn enkele citaten uit de "identikit":

  • begon zijn carrière in 1989 als acteur op de Nederlandse televisie in de eerste dagelijkse soapserie Goede Tijden, Slechte Tijden
  • televisiepresentator van een groot aantal Nederlandse shows, waaronder Heartbreak Hotel, Wedden dat, De 10, Pulse, De TROS TV Show en de eerste seizoenen van het wereldwijd populaire Idols
  • richt zijn eigen productiebedrijf Eyeworks op. Het bedrijf staat meteen op de kaart met programma's als Typisch tachtig, De nationale IQ-test en De Bauers
  • Internationaal succesvolle formats zijn onder andere Test the Nation, The Chair, The 10, Miss Popularity, So You Wannabe a Popstar, Ticket to the Tribes, Win My Wage, Who Wants to Marry My Son, Beat the Blondes en The Italian Dream.
  • In België is Eyeworks Film & TV Drama de productiemaatschappij [...] achter de televisieseries Jes en David. Ook De Pfaffs, Toast kannibaal, Beauty & de nerd en Sterren dansen op het ijs zijn formats en/of producties van Eyeworks.

Kijk eens aan: soapacteurtje wordt televisiemaker, en produceert vooral reality-crap en game shows. Hij bevordert zichzelf tot filmregisseur en gaat dan beweren dat TV "het duurste wegwerpproduct ter wereld" is.

Je moet maar lef hebben.

   
Click here to download:
Eens_een_soapie_altijd_een_soa.zip (54 KB)

Filed under: Rome

LG Williams says...

 

Your Holiness Pope Benedict XVI, 

With regards to your November 21st appeal for artists to embark on "a quest for beauty", I thought it appropriate, in the spirit of open brotherly exchange, to answer your request and make a request:

OK, No Problem!

Please send a check to:


LG
 Williams

1687-A Kalauokalani Way #139

Honolulu, HI 96814

  

Your Brother In Art,

LG Williams

 

 

 

Filed under: Rome

         
Click here to download:
Day_2--Roma.zip (8582 KB)

Beyond words…

There are times when words alone cannot explain or paint a complete enough description of an object. That is how I feel about the carved AD 2nd century sarcophagus in the photos. It is a battle scene between Romans and Germanic barbarians. Stupefacente! The National Museum of Rome (http://www.reidsguides.com/destinations/europe/italy/lazio/rome/sights/mnr_palazzo_massimo.html ) houses a collection of statuary (marble and bronze), frescoes, and mosaics that is not to be believed. I added a couple of photos of some of the mosaics.

We stumbled upon this museum in 2008 and drooled on the 2nd floor as we watched them in the process of installing a new corridor of the mosaics exhibit. We had to go back this year and stand in front of what we could only peek at last year. Yes, we drooled again.

The day started with the morning service at All Saints Anglican Church (http://www.allsaintsrome.org/ ), followed by lunch at La Fontanella (http://www.lafontanellaborghese.it/index.php ). We kept lunch simple by only ordering a first and second course, skipping the antipasti. We had the same pasta for our first course (remember in Italy, the first course is the pasta course): Fettuccine alla puntenesca (a pasta made famous by the ladies-of-the-evening who often cooked this simple and quick dish for their late-night clients). For the second course, I had the Pollo alla cacciatore (chicken, hunter-style) and Richard had the Involtini di melanzane di buffala mozzarella (eggplant rolled up with fresh mozzarella chesse in the center). It was a great lunch before heading off to the National Museum of Rome at the Palazzo Massimo.

After the museum, we spent the rest of our second day in Rome wandering through churches and looking forward to our meal at Pierluigi (http://www.pierluigi.it/EN/home_en/index_en.php ). A photographer we met at a recent photo shoot suggested it to us—here is a link to Christopher Baker’s photography in the book Tulipa (http://www.amazon.com/Tulipa-Photographers-Botanical-Willem-Lemmers/dp/1579651224 ). His assistant, Paola—a Roman, suggested Pierluigi, too. There is nothing better than getting a restaurant suggestion directly from a Roman—especially, when you are going to be in Rome.

Pierluigi is somewhat off the beaten track, and although there were other tourists at the tables, most of the tables were occupied by Italians—some were well-dressed businessmen and their clients. The interior is hung with a diverse collection of artwork and at times the clientele was as eclectic as what was hanging on the walls.

Our meal started off with a glass of prosecco, an Italian sparkling white wine. Think of it as the Italian version of champagne, although people into wine will correct me about that. We ordered our way through the menu and, for all of you wine lovers, we ordered a Brunello di Montalcino, Il Marroneto, Madonna della Grazie, 2004 (http://www.ilmarroneto.it/prodotti.php ). 

Our antipasti were: Tartare di melanzane e ricotta di buffala (sliced eggplant with buffalo milk ricotta cheese) and Sautè di cozze (sautéed mussels). Our first course, the pasta course was: Ravioli di pesce di mare (seafood ravioli) and Paccheri con tonno (a thick pasta noodle with tuna). Our second course was: Scallopine con la pepe rosa (Veal scallopine served with pink peppercorns) and Carpaccio di manzo con ruchetta e parmigiano-reggiano (Thinly sliced beef served with arugula and slices of parmigiano-reggiano cheese). If that wasn’t enough, we ordered the carciofi fritti (fried artichokes)—something that is very particular to Rome and to the Jewish ghetto. For dessert, we had a Torta di cioccolato con panna (chocolate tort served with whipped cream) and Carpaccio di ananas ed arancia (thinly slices of pineapple and orange).

We will definitely be returning to the National Museum of Rome at the Palazzo Massimo and Pierluigi has been officially added to our list of favorite Roman restaurants not to be missed.

Ciao e a presto,

Mark

 

Filed under: Rome

   
Click here to download:
Back_in_the_saddle_again....zip (3598 KB)

Ah, Roma~

I returned late—very late—Sunday night from Rome, Italy, and there is so much to talk about.

This was my seventh visit to Roma and every time I go I am reminded of my first trip there in Sept of 2001 with Richard and our mothers. Roma was our final destination and, considering that we were in Firenze (Florence) on 9/11, our arrival in Roma 3 days later proved to be a comforting place until we finished our trip and could fly home.

When we go to Roma now, Richard and I stay in an apartment just north of the Vatican (check out the entry on Oct 18 for info on the apartment), but on our first trip we decided to stay in a B&B—actually, a convent (http://www.amazon.com/gp/product/0809138484/ref=ox_ya_oh_product ) just around the corner of a tiny alley from the Piazza Navona. Staying at the convent was more about inexpensive, affordable, and clean lodging than it was about a religious experience. The nuns were fantastic and they certainly made us feel welcome, safe, and secure at a time when we felt so disconnected from our home and country.

This year, after checking into our apartment and heading out into Roma to explore the city that we love, Richard and I found ourselves bent over laughing in the Piazza Navona. Now, it may have been due to the fact that we had been awake for about 24 hours by that point, but I think it was truly more about a memory of our time in the convent with our mothers and with one nun in particular—Sister Ada (pronounced “ah-dah”).

Sister Ada was a cheerful, older nun, in her 70s, who always greeted us with a warm smile and a caring nod of her head. The convent was always bustling with nuns and other guests, but over the course of our three-day stay we bumped into her the most.

Staying at a convent can be a challenge. There is a nightly curfew and the doors are promptly closed and locked—and not with a simple key, but with a large Frankenstein castle bar that swings down and fits into large steel brackets on the interior side of the door. A large mob carrying torches and using a large tree truck for a battering ram would have an almost impossible feat ahead of them in trying to get in. In actuality, when the clock struck 11:30 p.m. and the large 14-foot-tall doors were closed, the bar lowered and secured, and the large skeleton key inserted and turned in the lock, it felt more like we were being locked in rather than being protected from any outside harm. The rules were strict: if you weren’t back inside by 11:30 p.m. you would locked out of the convent until the doors were opened at 6:00 a.m. the next morning. Period. No exceptions.

Well, the dungeon-like security of the convent was comforting, but it did pose a problem. We had a 6:45 a.m. flight on the morning of our departure, which means that I scheduled a car service to pick us up at 3:30 a.m.—in front of the convent. Are you ahead of me yet? We were going to need to be sprung from the nunnery during the lockdown hours. I didn’t really think of this when we checked in on that Friday, but on that Saturday I woke up in a panic trying to figure out how we were going to be able to get out to meet the driver early Monday morning.

After breakfast, I approached the sister who was working the reception desk and explained to her our need to get out Monday morning and my concern about it how to make it work. She assured me that all we had to do was to “…come downstairs early Monday morning and call for Sister Ada and “BOOM!” she will appear.” We all jumped a little when this sister said, “BOOM!” She was rather forceful in her tone and she made a large sweeping gesture with her hand, as if Sister Ada would spring up from some secret trap door concealed in the floor.

“Really, all we have to do is say is Sister Ada…” I started to say, but before I could complete the sentence—“BOOM!” this nun replied, again sweeping her hand up in the air—more like pulling a rabbit out of a hat than the trap door her gesture implied the first time. We all laughed, but she shook her finger at us in complete confidence.

Over the next two days, whenever we passed this nun in the hallway I would say, “Sister Ada.” “BOOM!” and a swing of the arm would be her enthusiastic response. Again, we laughed and her finger wagged.

That weekend in Roma with our mothers was truly special, but in the back of our minds loomed the insecurity of being on one of the first regularly scheduled flights back to the states after 9/11—and the insecurity of being let out of the convent Monday morning.

On that Monday morning, the four of us only had three hours of sleep before we woke up, showered, dressed, and quietly hauled our suitcases down two flights of stairs and into the foyer, stopping at the reception desk. All the while feeling like prisoners trying to make a secret escape. A convent is a solemn and somewhat serious place during the course of the day, but at 3:15 a.m. it is an absolutely silent and desolate building. It was now time to conjure up Sister Ada.

We all looked at each other, blurry-eyed and laden with luggage, before I took a deep breath and rather sheepishly said, “Sister Ada?”

Silence.

There was no “BOOM!”

“Sister Ada?” I said, louder this time but still not at full voice.

Silence.

“Well, damn…where’s the BOOM?” Richard’s mother said in her Southern accent. Of course, that made us all burst out laughing, and immediately we hushed each other, covered our mouths, and tried to regain composure.

Silence.

Panic now set in. It was almost 3:30 a.m., the Frankenstein bar was down, and there was no Sister Ada. We each started looking for doors and began tapping on them and saying, “Sister Ada?”

“Okay, seriously, where’s the boom?!”

She was not behind the door to the hallway linen closest, nor in the chapel, or behind the several other doors that opened onto the foyer. We started branching out farther down the hallways and “Sister Ada” was no longer a polite question whispered into the sleeping convent air. We were desperate and needed out.

“SISTER ADA!”

“Si, si, si. Un momento,” and from behind a door down a long dark hallway appeared our Sister Ada—wearing her habit on her head and a floor-length dressing robe. She greeted us with her usual smile, turned the key, raised the bar, and swung wide the large front door, revealing our waiting car running at the base of the convent’s front steps.

"Arrivederci. Buon viaggio!" And with that, Sister Ada waved us off and closed the door.

On this morning, eight years later, as we walked through the Piazza Navona, we saw the alley leading to the convent, and at the same moment Richard and I turned to each other and said, “Sister Ada…BOOM!…Where the hell is she?” And laughed.

I love Roma!

**The attached photo is from a very famous shop in the Testaccio neighborhood of Roma. Volpetti (www.volpetti.com ) is an amazing place filled with cured meats, salami, cheese, wine, and a selection of freshly fried vegetables including zucchini blossoms. One of the men working there noticed us drooling over some of the many prosciutto on the shelves and quickly sliced off tiny pieces of one from Spain and another from Parma for us to taste. He moved on to giving us samples of several cheeses and dried figs. He drizzled the most exquisitely sweet and tangy balsamic vinegar over a little chunk of freshly broken off Parmigiano-Reggiano that he placed on a small slice of bread. We were hooked! We bought a bottle of the vinegar, some slices of pizza, and a small bag of the assorted fried vegetables. He was a smart salesman and we loved every bite.

Buonissimo~

Have I said yet how much I love Roma and the Italians?!

Ciao e a presto~

Mark

 

Filed under: Rome

israenian says...

source: Iranian TV

Full text of her speech (the last paragraph is about children in Gaza)

more pictures for you.

Hebrew article

good night. sleep well.

Filed under: Rome

Joey K says...

The only reason I have time to post right now is that I don't have enough time to start working on something else before I go to bed.

Hilarious Twitter: big_ben_clock ...it goes "BONG" at every hour.

I don't understand why people don't reply to e-mail or Facebook messages. My job involves getting in contact with lots of people, and for some reason people think that if they are contacted (by me, anyway) in an e-mail or Facebook message, they don't need to respond. I don't understand how people can do that. It befuddles me.

I've been so busy that I can't keep track of stuff. I didn't really mind losing my keys, my pen, spare change, etc. When I lost my chapstick. I WAS PISSED.

The ancient Romans would binge and purge during meals just so that they could eat more. They LOVED to eat. And they wanted to be fat.

Daniel Dobbins.

If I was dating a girl as hot as Shakira, I would not be in college.

I've been noticing that, for some odd reason, my handwriting has been looking a lot like my mom's lately.

I'm listening to my Mozart channel on Pandora radio right now. When I'm typing and an epic part of a song starts playing, I feel like my typing is so important; haha. It's like I'm in a movie or something.

Over and out.

Filed under: rome

Owl says...

Cafe Bernini in the Piazza Navona was our favorite spot in Rome to have a glass of wine, a little pasta and some great gellato. It was also a great place to people watch and was always filled with street musicians and artists. Enzo was one of those street musicians playing his guitar on a beautiful warm sunny afternoon. Great company, good food, wonderful wine and beautiful music made it a very memorable moment. Seeing these pictures and listening to the music brings back that wonderful feeling. All I need is a glass of wine!

                                   

Malafemmena (Bad Woman) by Enzo  

Filed under: Rome

Suyash says...

Rome wasn’t built in a day apparently, and the same goes with everything I do in life. It takes time, a lot planning (and re-planning), some coffee, for the effect rather than the caffeine in my case, and emotions running through a spin machine running at a few million RPM. Amongst the many ‘Romes’ that I plan on building, the largest and most significant one is reaching my 15’th August… 4’th July if you in states.

Fear / Apprehensions are cyclical in nature. Funny bit – the wheel can be broken. Tough bit – it’s not as easy. Were good things ever easy? Apart from twitter of course, which I am a newbie too. The sweetest part though is once broken, its cant be glued back on. It’s like one of those ‘unbreakable’ things at the toy store.

I’d like to live in a world where I fear nothing. But that really only comes from facing your fear. Once you expose yourself to your greatest fear, it holds no power. So those dinners with 10 people you don’t know and a lot of esoteric jokes, breaking into a dance in the middle of nowhere, losing your dependence on a routine, to even making the first move with the loner at the next table. Do it once, and you can do it again, and again.

Luckily for me, it’s doesn’t take Gandhian measures to build a free life. Its like an internet meme to a great degree. Should hopefully snowball.

So yes, my Romes on its way. Its going to take a lot of time, but what the heck, am chasing my ‘la la’ land 

~S

Filed under: rome

Lucy says...

The airwaves are abuzz with Bright Star, Jane Campion's biopic of John Keats (1795-1821). Of all the Romantic poets he is the 'real' Londoner and as such I find his life interesting; more interesting than his poetry anyway.

John Keats' short and painful life began at the Hoop and Swan by Moorgate where he was the eldest of three boys and a girl.  His father Thomas was a barman who came to manage or even own the pub (now Keats and the Globe for some reason, being nowhere near The Globe).  When Keats was seven he was sent to a school in Enfield, North London. Nine months after he started at the school, John's father came to visit him and on the way home was thrown from his horse.  Thomas Keats's skull was fractured and he died.  John's mother, Frances, remarried almost instantly but it wasn't a success and she was forced to move in with her mother in north London.  She died in March 1810, leaving her fourteen year old son in the charge of Thomas Hammond, an apothecary.  He shared Hammond's lodgings, giving him a sense of continuity and an interest in medicine that would lead John to become a student at Guy's Hospital when he was 18.  He would study there for 5 years, as a dresser (attending in theatre and dressing the patients' wounds after surgery). In 1816 Keats took his apothecary exams, and passed.  He was an avid letter writer (although his handwriting was often more 'doctor' than 'poet'), rapidly developing a friendship with Leigh Hunt, Ben Haydon and others.  He frequently left off 'spouting Shakespeare' to go and attend a surgery.  In that year, Hunt helped him achieve publication with his first poem, and the following year, a collection of his poems were put before the public, to little success. 

During a Scottish summer holiday in 1818 with his friend Charles Brown, Keats developed a cold so severe he could not continue and for the first time began to drop weight.  When he came home, it was to the reality of his brother Tom's full-blown tuberculosis.  Keats nursed Tom, but was probably succumbing to the early stages of TB himself.  Their other brother George had left for America (although he would later return to borrow money from John, who was broke anyway and complained that 'He ought not to have asked,').  Tom died late in 1818 and by that time Keats had started his own slow decline.  He had also started to take laudanum, claiming it eased the tightness in his chest, but it soon became a habit, and one he and Brown fell out over more than once.  The two friends moved to Hampstead, where he met the elusive Miss Fanny Brawne, who would inspire so much of his work.  Keats knew himself to be extreme in nature, and it is almost amusing he chose someone so practical and down-to-earth as Fanny to fall in love with.  She was an incorrigible flirt and not just with John, which tore him up.  He wrote her cruel and often spiteful notes, then others full of contrition.  She seems to have taken them all in her stride and they developed a close relationship which would lead to an engagement.  The convention of the day insisted John raise enough money to provide her with at least somewhere to live before they married, but he wished to devote himself to poetry, and so had to make some money out of writing.  These hopes were almost dashed in 1819 with the publication of Endymion.  It was savaged by the critics and Keats was heartbroken.  Byron sniped at Keats as a 'Cockney' and a 'dirty little blackguard', but he was genuinely sorry for his fellow poet's mauling at the hands of the critics.

'Tis strange the mind, that very fiery particle,
Should let itself be snuffed out by an Article.

Keats' odd appearance was perhaps one of the factors that drove his unbalanced character.  He was of short stature, perhaps no more than five feet tall, and delicately built.  He was painfully aware of a mismatch between his mind and his body.  He perceived himself as unattractive to women and regarded them with suspicion, perhaps always imagining them to be laughing behind their hands at him.  Severn's appalling duck-faced, fuzzy-headed portrait remains one of the most popular images of John.  Much better are the various sketches featured in the gallery, by various artists.  His life mask shows a fine sensitive face with remarkable eyelashes and a beautiful, if slightly top-heavy mouth (emphasised in the silhouette).  The touching image of him asleep as he was dying, also by Severn, conveys both the heartbreak of a friend, and the character of the patient.

Joseph Severn was to become Keats' greatest friend, and also his nursemaid, but through an odd series of events.  Towards the end of winter in 1820, Keats returned from the City to Brown's house, thoroughly chilled.  He was sent to bed by Brown, who brought him up a glass of spirits.  Keats coughed once, but blood hit the sheet.  He ordered Brown to bring him the candle in order to see the colour of the blood.  His surgical training allowed him to recognize it as arterial blood, meaning his lungs were compromised.  'That drop of blood is my death warrant,' he told his friend.  Later that night, he had his first serious lung haemorrhage, his mouth filling with blood.  Brown later remembered the calm with which Keats wiped his chin and remarked, 'This is unfortunate.' 

This period was one of his most productive, and with Leigh Hunt's support he began to think that it may be possible to support himself, and a wife through writing.  John had run through three doctors, who seemed to have no idea what to do with him.  He was bled, starved, fattened and opiated.  He fretted for Fanny's company and began to suffer palpitations.  Finally, the doctors recommended a warm climate.  Joseph Severn, a promising young artist with an award for travel from the Royal Academy was singled out as a good friend for John, and he became a regular visitor, along with Coleridge.  John was living with the Hunts, but found the noise and the children distressing.  An odd incident drove all matters to a head: a letter from Fanny was opened by mistake.  Keats had a tantrum then began to cry, walking the streets in a distracted state.  He passed the house where his brother had died, then made his way to the Brawne house, where he collapsed.  Mrs Brawne took him in and she and her daughter nursed John for a month.  His lungs became more congested and he began to produce blood on a regular basis.  Rome was settled upon as the place for him to convalesce, and Jospeh Severn as the companion.  Fanny gave John paper that he might write to her and a large marble she used to cool her fingers when sewing.  It would rarely leave his reach for the rest of his life.

John and Joseph Severn left England on the 17th of September 1820.  As the distance from Fanny grew, John's spirits sank.  Severn did not know how to help him, but listened when the poet talked.  They employed an English doctor, who encouraged a robust diet and walking.  When Keats continued to decline, the doctor confirmed what John already knew: that he was dying.  Keats became set upon suicide by laudanum, determined not to suffer the loss of dignity his brother Tom had undergone.  Severn confiscated Keats' supply of the drug and John punished him with descriptions of the incontinence, vomiting and raving that was to come.  Severn was a stoic and ignored his friend, nursing him as his health plummeted early in 1821.  Their friendship was a rare one.  Keats became frightened of the dark, so Severn rigged up a system whereby one faltering candle would light the wick of the next, an invention Keats named 'the fairy lamplighter'.  The sketch at the head of the gallery was drawn on 28th of January 1821 in the light of one of those candles.

Keats became resigned to his fate and encouraged Severn in his nursing: 'Now you must be firm for it will not last long.'  A letter arrived from Fanny, but he would not open it, only asking for it to be placed in his coffin with his lock of her hair.  On the 23rd of February, his lungs began 'to boil'.  He asked Severn to lift him up and hold him, resolving to die easily, and soon.  So he and Severn sat, hand in hand for the next seven hours, until John Keats died.  The Police visited the house the following day (as was the law in Italy for consumptive deaths) and ordered all destroyed.  Severn saved some things for himself, but Keats was buried in the Protestant cemetery as they had agreed.  Severn wrote to Brown to tell him the news:

I am broken down from four nights' watching, and no sleep since, and my poor Keats gone.  Three days since, the body was opened; the lungs were completely gone.  The Doctors could not conceive by what means he had lived these two months.  I followed his poor body to the grave on Monday...

The news took a month to reach London, where it was published in The Times on March 23rd, 1821.  

At Rome on the 23rd of Feb., of a decline, John Keats, the poet, aged 25.

 

           
Click here to download:
John_Keats_Apothecary_Surgeons.zip (451 KB)

Filed under: Rome

streetart says...

Outside the main station in Rome.

Filed under: rome