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topinforma says...

#healthcare solutions shouldn't be as painful as they look with the new law

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Kisses to ♥ Hamburg Herford Hannover Bremen California Georgia Michigan Alabama New York Florida Barueri Marseille Paris :-)

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dcfemella says...

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desdemona says...

This afternoon Facebook posted an update about all the television networks that have integrated Facebook Connect, including ABC who has two new exciting integrations. The first is a promotion for the series “FlashForward” which takes advantage of Facebook Connect to integrate your profile data into a promotion. It’s similar to other promotions we’ve seen such as the Doritos promotion and the Prototype XBox game trailer.

In contrast to MySpace, who also has their own identity service, Facebook has been focused on striking large media integrations with Connect. Not only do these partnerships help increase engagement on the partner sites but it also helps Facebook expand the reach of Facebook Connect. Google has been heavily promoting their own service, Friend Connect, which is similar to Facebook Connect and they’ve already successfully generated 8 million communities.

However Facebook’s model is a smart one as they are going after high profile sites which end up generating more press coverage, building buzz for Facebook Connect. In addition to ABC’s FastForward trailer, ABC will also be launching a new video player tomorrow which leverages Facebook Connect to created a social experience as visitors watch full episodes of ABC content from the ABC website.

This sounds somewhat similar to Hulu’s integration, however it appears that this may be more integrated with the actual video player. We won’t know for sure until tomorrow, but this definitely sounds like what we would expect out of a truly interactive social viewing experience. Facebook is also highlighting a number of their other television integrations in today’s blog post.

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guosheng says...

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Gui ;D says...

By Tony Borroz - November 5, 2009

bmw_m3_gts_01

We’ve got the full breakdown on the M3 track star that BMW teased us about yesterday, and it looks like one very sharp knife for carving corners.

Bayerische Motoren Werke says the M3 GTS, due to hit the market next spring, will not only give most everything on the road a run for the money, but it will be a great track-day weapon as well. It’s liberally lightened and prodigiously powerful, and BMW calls it “exactly the right car for the truly discerning customer demanding the very utmost in terms of power and performance.”

We call it pretty freakin’ sweet.

BMW goes out of its way to stress how light the GTS is. We’re all about light weight here at Autopia, something we chalk up to having had too much exposure to Colin Chapman at an early age.

The M3 GTS tips the scales at less than 1,500 klograms (3,300 pounds), which is pretty light for a German car. That includes the rollcage with mounts for six-point belts and the fire extinguisher. The roof is made of carbon fiber, which is already standard on the, um, base model M3. The crash diet included adding titanium mufflers, trimming weight from the center console and door panels, ditching extraneous bits like the back seat and stereo system and reworking the insulation. The interior is just this side of gutted. Of course there’s no air conditioning system. That’s what window nets are for.

BMW says the new V8 mill is “derived from motorsport, optimized for motorsport,” and we’re not going to argue even if that’s blatant PR-speak. The engine displaces 4.4 liters and cranks out 450 horsepower. The crankcase is of an aluminum-silicon alloy. Other details include individual throttle butterflies, anti-knock sensors with ion-flow technology and wet-sump oil supply. Now you know why the M in BMW stands for “motor”.

Der motor is mated to a seven-speed M DKG Drivelogic, which is BMW’s fancy name for a dual clutch transmission. There’s a “race-bred” (more PR-speak!) gearshift that can change cogs quicker than the blink of an eye (literally). Six-piston calipers up front and four-piston units at the back bring you down from speed post haste, and a dynamic stability -ontrol system helps keep you more or less pointed the right way. The aerodynamic bits are adjustable.

For all the details BMW provided, the one it omitted was the price. But as the saying goes, if you have to ask …

Photos: BMW

bmw_m3_gts_03

bmw_m3_gts_04


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h00t says...

Z - Welcome To New York City by Cam'ron Feat. Jay  
(download)

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nu4ya says...

Title:
Acceleration
still; Cocooned escapes, you, me;
F1 Papillons

2009, by K.I.A. Mixed media on aluminum; dimensions variable.

A 2D-3D-4D Painting>Sculpture>Installation 
A two-dimensional painting, hung three-dimensionally, to be reconfigured over time. 
The initial image is a lepidoptera wing containing a collage of hundreds of aircraft blueprints. 
The Initial sculptural configuration is a form suggestive of a cocoon, an airplane cockpit, an aircraft engine. 
The  27'x16' flat painting (on 288 aluminium panels) are hung three-dimensionally  over, through, and around a metal infrastructure. (In this iteration, the sculpture is of 12' h  x  5'  widest diameter.)

The 2D elements are the work functioning as a flat ‘painting’;  a butterfly wing (the beginning image of the work);  the aircraft blueprints; the initial 12' x 6' line-drawing (in metal) of a jet fighter/butterfly wing that becomes the sculpture's infrastructure; the words found on the blueprint schematics; the thin aluminium panels on which the work is painted; the shadows thrown by the sculpture. 
The 3D elements are the cocoon/fuselage/engine sculputural arrangement (and future sculpture/installation reconfigurations); the X-Y-Z axis arrangement (for structural support of the painting) of the component parts of the metal line-drawing.
The 4D elements are the painting/sculpture as it's rearranged/deconstructed over time. Panels and sections can be regrouped, shifted, spun, etc; the work can be hung on the wall flat or bas-relief; it can be free-standing, hanging, flowing around corners; condensed, expanded, atomized (no pieces physically connected), intermixed with other works, etc. Additionally, all the painted surfaces -- the iridescent blues, opalescent whites, and substrate silvers-- change appearance according to the movement of the viewer, and the work looks significantly different  according to the light (direct, spotlit, ambient, barely lit) over time. And the cocoon>butterfly reference relates to transformation... as does the ascension from 2 to 3 to 4D upwards...

And...
The painting/sculpture is ephemeral: it will never be in the exact same arrangement twice. (It is a physical object... that is not.)
The inside of the sculpture becomes the outside becomes the inside (re: Escher; Mobius; a 3D shadow of a 4D object: Fourth dimension - Wikipedia, the free encyclopedia  ) 
The exterior 2D image and 3D shape are echoed by the interior 2D line-drawing but 3D arrangement of the metal infrastructure.
The black, flat, lines of the blueprints in the painting reinforce  the  butterfly-wing outlines and veining of the overall image, and the cockpit shape relates to the jet wing which relates to the butterfly wing which relates to the cocoon shape.
The 'process' is the work-- you are to see how it is made (glimpses of the infrastructure; 'backs' of the panels) and can watch the reconstructions/remixes as a live performance. 

Some other connections & ideas:
The scales on a butterfly wing = the 'scales' (panels) of the painting = panels used in jet construction (including rivets/bolts).
Panels = grains in a Buddhist sand-painting, shards in a mosaic, pieces in stained glass, brushtrokes in Cezanne, planes in cubism, pixels in a screen...
Linear flight of a jet vs. non-linear flight of butterfly = grid of panels vs. arced panel arrangements; machined linear lines of a jet vs. biomorphic curves of butterfly wing
Analog vs. digital: curves of the painted lines vs. bits/bytes curves of the arcing panels... handmade painted curves vs. reproduced blueprints
Creation / Destruction:  the sculpture is created, get uncreated... cocoon 'creates', jet fighter 'destroys'...
Hardness/softness: metal jet, metal panels, protection / paper cocoon, butterfly wing, protection
Technological/biological: machined, machine, metal, data (blueprints) / hand-made artwork, organic but architected cocoon
Yin and yang: 'femaleness' of  butterfly wings; 'maleness' of a jet... 
Uniqueness: a cockpit/fuselage, manufactured to exacting specifications, would always have the same shape; a cocoon, though made by caterpillars for eons, always has a unique shape. 

The reconfigurable painting/sculpture series (past and ongoing), as a whole...
...function like a quantum wave but exist as a quantum particle (all possibilities collapse to the current iteration of the work.)
...are about potential--each piece contains all previous and future combinations...
...Is like music; the 'notes' are the panels; the work 'samples' (uses collage); like a song, can be interpreted by someone else (uniquely arranged by the owner, etc.)
...is also about the unknown-- the idea that the work will have completely unforeseeable versions in the future...
...touch upon the idea of the non-linear, in the sense the digital/random-access ability to take pieces (bits) of the work and shift them anywhere...
...invite participation...the audience/owner/curator is able to become involved in the works (mentally, as in "What if...", and/or physically constructing or suggesting a configuration or installation...)
...can be intermixed, and so also explore the idea that everything is interconnected...
...thematically  explore opposing but complimentary ideas... (see below)
..Is always unfinished, as is each individual work
...works the grid, twerks the grid.

Finally:
Yes, the title is a haiku. Hopefully many of you stopped reading there, as all the rest is redundant (obvious?) 
And FYI  the sculpture reminds me of  "A Nude Descending a Staircase, No. 2" by Duchamp  Nude Descending a Staircase, No. 2 - Wikipedia, the free encyclopedia Acheulian hand axes: --which are a) weapons b) tools and c) some of the oldest art objects created by man,     Acheulean - Wikipedia, the free encyclopedia  ;  Frank Gehry's work:  Frank Gehry - Wikipedia, the free encyclopedia ; and Zaha Hadid: zaha hadid dubai - Google Search and  even Peter Eisenman: Peter Eisenman - Wikipedia, the free encyclopedia

A couple more shots of "...F1 Papillon"; more to follow later date...

; )

 

 

               
Click here to download:
Acceleration_still....zip (928 KB)

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zfx says...

Everybody Learns From Disaster by Dashboard Confessional  
(download)

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This week I started a new job at SAP.  I joined SAP in February of 2008 as a product specialist in the NetWeaver Regional Implementation Group, helping to bridge the gap between development and the field (customers, partners, consultants).  We were recognized as thought leaders and experts in our respective areas of expertise, and served as the voice of the customer back to product management and development to have direct impact on the products.  I had an awesome time being part of this team of extremely smart and talented people it was very challenging and rewarding from day one Actually from day one it was kind of like drinking from a fire hose (in a good way, of course)

I had the opportunity to meet and work with dozens of customers, partners, consultants, and others on the topic of BI, SAP BW, BusinessObjects, and the like and hopefully provided some valuable information and insight to them in times of need.  All this was excellent, but it is time for a change many things prompted the move: less travel, upskilling new areas, considering going back to school, more time for writing and other time consuming projects I wish to pursue.   I am transitioning to a team called Market Insight that is providing reporting and analytics solutions internally at SAP.  I think it will be an interesting career change that leverages my deep background in SAP and BusinessObjects reporting solutions.  So with the start of my job and a refreshing change in direction in my career I thought I would take the opportunity to start a new blog.  I have told myself many times I was going to do this, and even setup a wordpress blog which I let die on the vine before I even planted it. 

So here it is.  My opinions and thoughts on various subjects (as is any blog I guess).  Please chime in and comment if you like or dont like what I have to say.. above all I am here to collaborate with others, start a dialogue, and meet people with similar interests.  I look forward to seeing where this goes.

Thanks for reading.

Tanner Spaulding

t: http://www.twitter.com/cavitron

l: http://www.linkedin.com/in/tannerspaulding

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