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cmadden says...

These absolutely kill me. If you don't get it, I'm not going to ruin it for everyone else by explaining it. You lose, good day, sir.

Joseph Ducreux was a French painter, who, in 1793, made this pimp-ass self portrait. 216 years later, his internet meme exploded on the scene.

http://www.holytaco.com/25-awesome-joseph-ducreux-memes

That page inexplicably doesn't include the best one:

Filed under: memes

benmason says...

'I find those parodies tremendously amusing' says the writer of the widely parodied film, Downfall.

Since 2006, there have been hundreds of parodies of the scene where Hitler shouts at his senior staff with alternate meanings added through subtitles.

It's nice to see the originator of a piece of content subject to so much copyright infringement show his appreciation. He even goes as far as discussing how the parody which focussed on Hitler's losses in the 2008 property market crash was historically relevant.

"Hitler's real crisis at the time was also about a gigantic real estate loss: the loss of all those territories he had conquered, fueled by false credit and driven by avarice, megalomania and barbaric ruthlessness. And then history's Dow Jones came crushing down on him… I find this parody so funny because it's historically relevant."

Full article at The Register
Found via @BenShaw

Filed under: memes

Memes are things that go viral, right? And their native habitat is the web, right?

Yes, and no. Yes if we sheer away some of the fleece these terms have grown in the age of the internet. Because while memetics has gained popular currency in the age of LOLcats and rickrolling, it's worth remembering that Richard Dawkins' coinage (in The Selfish Gene, 1976) predates the full investiture of networked computing in the culture. 

I've always been suspicious of memetics. It's an intuitively attractive concept—and yet the meme as a functional unit is notoriously difficult to define and impossible to measure. And the concept seems too tidily fit to contemporary life as well. It's harder to imagine memes at work in premodern or early modern cultures. But I'm realizing that it's not a problem with memes, really, but how I see them.

If you want to track memes into the wilderness of deep history, I'd suggest taking historian Daniel Lord Smail as your guide. In his book On Deep History and the Brain, Smail explores an emerging synthesis between history and the third culture sciences like cognitive science and evolutionary biology. Smail's perspective allows for emergent patterns and something like natural selection in cultural life without giving up on individual agency and intention.

Watch Smail braving the wilds of the alleys and courts of early modern Marseille as he tracks a simple meme, the street address. Previously, people had located themselves in urban space by making reference to landmarks, topographical features, and infrastructure ("near the bridge of the street of the Change"), or by naming the neighborhood or artisanal quarter in which they were resident ("the Cobblery" or "Bookbinder's Row"). Street addresses seem to emerge as property transactions increased in number and importance over the course of the 14th and 15th centuries. It's the notaries, semi-public officials who preside over property transactions, who are using them.

What's the notary's attraction to the street address? Historians have often interpreted the rise of such features by employing a kind of conspiracy theory: in this case, notaries seek to increase their hegemony over time and space by imposing a gridlike system, cold and arbitrary, on the vernacular structure of the urban landscape. And our historical explanations are full of such conspiracies, in which classes "articulate their worldviews" or "assert themselves" by erecting some new social or cultural structure by which to overthrow the old.

The trouble with conspiracy theories like these is that rarely does anyone, let alone an entire class, know what the "next thing" will actually look like. We operate on a much more intimate and immediate scale than that in daily life. According to Smail, who has patiently sifted through thousands of property sale records in European archives, there is no evidence that anyone consciously imagined the power of street addresses to increase their power in social life.

But those immediate, off-the-cuff choices are the stuff of history—for they're precisely where memes live and die. With the notaries, Smail explains, conversations about urban space were important to their livelihood.

[T]hough buyers and sellers might have this conversation several times over their lives, notaries engaged in these conversations dozens, if not hundreds, of times per year. Categories emerged naturally in this conversational field, and the notary, steward of these conversations, naturally had the greatest influence over the field's evolution.... In these circumstances, it's easy to appreciate how a very slight and unacknowledged preference on the part of the notaries would gradually fix it in the conversational field. One can posit an evolving form that promotes the political goals of the notaries without having to attribute any purpose or intention to the notaries themselves (my emphasis).

Of course there is intention and purpose in the system, Smail allows, but it's personal, limited in space and time, not a case of grand, scheming ideological structure.

What's in this for me? Well, it's a handy and inspiring way to think about the rise of writing in general, and of specific letterforms, as memes facing selection pressures that change with dips and explosions in media, genres, and social and cultural forms. So there's a retrospective use, helping to understand the existence of stuff like serifs and dotted i's thrive while eths and thorns and a host of scribal abbreviations die out. And prospectively, it enriches my sense of the future of reading and writing—mostly by reminding me that it will be decided by no business plan or venture capitalist, but by all of us getting in there, using and breaking the new tools, and making new things and experiences with them.

Filed under: memes

gltss says...

Filed under: memes

matton says...

Filed under: Memes

Quoted in November's issue of Wired UK, Zeynep Tufekci a sociologist at the University of Maryland, makes an increasingly relevant statement:

"As we leave behind the 20th century, it is almost as if we have come full circle back to the village where everyone potentially knows your business."

This is something that we've been talking about for quite a while in the office, in fact it's one of the first things we say when we introduce social media newbies to the art of digital communication - the media we are using to communicate may be 'new' but the actual way we communicating is pretty age-old. The Wired UK article states that social networks hark back to the days of village life, but I would argue that other aspects of social media, such as crowdsourcing and memes (as we now know them) could be much older still.

To illustrate this, let's go way back to the times of the ancient Greeks. Scholars of the ancient Greek oral tradition have long asserted that one of the most important pieces of literature in history started as a 'crowdsourced story'. Though attributed to 'Homer', The Iliad (or the story of the Trojan War) was shaped by the people who told it before it was finally scribed in hard copy format; the most popular additions to the story survived the test of time, less popular ones are now forgotten.

Although we aren't creating epics en-masse in today's world, what we are doing is shaping cultural trends and brands. mystarbucksidea.com (client) is a great example of this - those who have an interest in shaping Starbucks to their own designs can do so by participating. Like with The Iliad, the most popular ideas survive and are built into the company's strategy and those that are less popular do not usually see the light of day.

The Iliad was a meme of its time - numerous different storytellers in different places telling a very similar tale repeatedly over a period of time. In its day, one person heard the story from someone else and then went and told it to their own friends, who then told their other friends etc. It became the story everyone was telling and talking about and, as such, became viral.

This sounds remarkably similar to what we call memes in today's digital world, doesn't it? Remember when Rickrolling appeared everywhere? Or when LOLcats was at its height of popularity? Friends tell friends who tell more friends, just like how stories were relayed in the ancient oral tradition. These 'stories' tend to be shorter in length and longevity these days, but the way they are communicated are fundamentally the same.

What I'm trying to say here is that we shouldn't be claiming that digital communication provides us with a 'new way to communicate', but that recent technology developments enable us to return to an older - and probably more natural - way of communicating.

Filed under: memes

Bart says...

via www.therawfeed.com

Filed under: memes

Webslung says...

Posted by a coworker of mine and I think the most brilliant one I've seen so far. Kudos @MrBlank.

Filed under: memes

adam says...

My cute alert just went off.

Filed under: memes

matton says...

Filed under: Memes