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rahrahrah says...

Luxury Fashion Brands Embrace Social Media

The latest round of global catwalk shows has illustrated how fast things are changing in the world of fashion marketing.

At the Dolce & Gabbana show, fashion bloggers  Scott Schuman, Bryan Yambao, Tommy Ton and Garance Doré were seen tapping away at their laptops from seats usually only reserved for the likes of Anna Wintour,  whilst the show was streamed lived on the Dolce & Gabbana website.  With 16m hits in just a few days, D&G’s YouTube channel became the most watched in the world for a 24 hour period.

Louis Vuitton also broadcast a recent catwalk show live, through Facebook from Paris, attracting 50,000 guests from its 750,000 fans on the social media site.  And the celebrity-inspired power of twitter was demonstrated when a Lady Gaga tweet led to so much traffic to the live stream of Alexander McQueen’s show that his site crashed.

Since the shows, we’ve seen the launch of Burberry’s www.artofthetrench.com, a site which combines the appeal and talent of Sartorialist blogger Scott Schuman with the power of social media to deepen relationships with existing customers and forge relationsips with new ones.

And Gucci has launched its latest eyewear range with a viral campaign rather than using traditional media channels.  Its site, www.guccieyeweb.com, lets visitors upload their own photographs and then displays their picture as if were a reflection in the various eyewear styles. Users can share their ‘eyewear reflections’ on facebook, twitter and on the social bookmarking sites.

So should all luxury brands rush headlong into social media? No – as with all marketing, the starting place should be an understanding of your target market, followed by a clear strategy.   For luxury fashion brands, ’mass’ social media is a more obvious move as their lower entry price points makes them accessible to a wider audience.  For brands with a narrower appeal, the strategy might be very different – more personal relationships built via closed or invitation only networks rather than openly accessible ones.

The problem is that many brands aren’t engaging with social media for the wrong reasons – either because they don’t understand how their customers are using it or a fear of losing control of their brands.

Recent research shows that the affluent are just as likely to use social media channels as the mass market, albeit for more rational and less frivolous reasons. And those that comfort themselves with the thought that their older profile of customer has so far shunned social media should understand that the continuing growth of sites such as Facebook is being fuelled by the over 55s.

As for the fear of losing control, conversations have always taken place about luxury brands that were beyond the control of the brand owners. Social media helps to facilitate more of these conversation and spread them faster and wider. But it also makes those conversations more visible and gives the brand a chance to both get involved with and facilitate them – to deepen relationships with existing customers and create relationships with potential new ones.

Social media is just one of the channels available to the marketer and the right social media strategy starts with an understanding of who your customers are and how they’re engaging online. As a starting point, Forrester’s Social Technology Profile Tool should give you some clues. Then start to monitor what’s been said about your brand and where. Once you start to understand where and how your customers are interacting online, you’ve taken the first step to building a considered social networking strategy.

One thing is for certain, with developments such as real-time social search and Google SideWiki on the horizon, luxury brands ignoring social media aren’t going to be able to ignore it for much longer.

By: Catriona Deery

Filed under: luxury

HwoodMermaid says...

Is it the sickest yacht ever? Possibly. Will some rich ass mofo who will not even appreciate it's amazingness own it and probably take it out 2 times in his entire life? Most likely. Would I do very bad things for this boat? You bet your ass.

I love how Dubai has known for a while they had no freakin money yet they are building crap like this. Why? IDK. Does it look cool? Yes. I am starting to worry they are going to be piecing it together with Elmer's Glue and bubble gum due to the fact that Dubai is in debt in a big way for this exact type of lavish shit. Hahahahah now you're like America! In debt and with no concept of practicality or neccessity vs. WASTE OF MONEY.

Filed under: luxury

runnyeggs says...

Hermès × Tokujin Yoshioka. Tokyo. 


Hermès × Benja Harney. Sydney

         
Click here to download:
Pretty_window_displays_from_He.zip (1408 KB)

[Source: Paperform]

Filed under: luxury

rahrahrah says...

From catwalk to laptop, fashion houses embrace Web

MILAN -- Photo blogger Tommy Ton used to wait outside exclusive venues for fashionistas to arrive and leave catwalk shows, but at the latest Dolce & Gabbana womenswear run this season, he proudly sat in the front row.

Sitting close to the creme de la creme of fashion editors -- Vogue’s Anna Wintour and Glenda Bailey of Harper’s Bazaar -- the Toronto fashionista excitedly blogged about his privileged treatment in Milan on his site www.jakandjil.com from his seat.

"I’ve been going [to fashion week] for two years and I was lucky if I even got a response," he told Reuters. "But being embraced by Dolce&Gabbana, that was a defining moment."

Soon after his success in Milan, French maisons sent him invitations to Paris fashion week, eager to have him at their shows.

Fashion brands, increasingly aware of the power of bloggers, are making room for them in their front-row seats to try to grab consumers before they visit their stores.

For years, traditional houses have shunned the Internet, seeing it mostly as a place for those in search of bargains.

But as younger buyers and working women are set to replace ageing customers as the main luxury consumers, the Web and its social networking sites represent strong prospects for growth.

In the September fashion week run, such design houses as Louis Vuitton, Dolce & Gabbana and Alexander McQueen, streamed their catwalk shows on the Internet.

Facebook is full of brands, including Vuitton, Gucci and Burberry with hundreds of thousands of fans, who also voice their passion for fashion on Twitter.

"The more you can open up your brand to the client, the better," Gucci designer Frida Giannini told a luxury conference in Berlin last month.

Fashion dot com

Many fashion brands have opened online stores in the last year, including Salvatore Ferragamo and Roberto Cavalli. Hugo Boss, which sells on the Internet in Europe, plans for online stores in Asia and in the US.

"We try to understand the online shopper in a deep way," Chief Executive Claus-Dietrich Lahrs told the Berlin conference.

Giorgio Armani has a mobile phone platform for e-commerce, so users can shop for Emporio Armani items from their handsets.

Prada is looking at selling online products that have yet to make it into its stores.

"In five years, 30% of [fashion] goods will be sold on the Internet in America," Prada Chief Executive Patrizio Bertelli was quoted in Italian newspapers as saying, without giving a comparative figure.

When Italian online fashion retailer Yoox launched in 2000, there was a lot of "skepticism about the Internet in general and online sales," founder and Chief Executive Federico Marchetti told Reuters. Now it also operates retail sites for brands like Valentino and Marni. Yoox is poised for an initial public offering this week in Milan.

"Increasingly fashion brands are shifting their communication budgets to the Web, and have a greater understanding of its potential and in particular they now are all requesting an online store," he said in e-mailed comments.

Luxury groups are focusing on winning customers as they emerge from the worst economic crisis in decades. Bain & Co, a consultancy, expects luxury sales to fall 8% this year to €153 billion.

While online sales are unlikely to make up the difference soon, consumers’ growing confidence and comfort in using the Internet to shop provide positive signals.

Bain says "luxury shame" -- the fear of being seen shopping for luxurious items in a recession -- is also helping. It sees 2009 online luxury sales up 20% to_3.6 billion -- representing 2.35% of total luxury sales this year.

Luxury goods companies "were very traditional in their advertising methods and tools and in what they thought of consumers", Bain partner Claudia d’Arpizio said.

"Now they understand the consumer age is different and their values are changing so [they] need different tools to attract and interest them."

In the US, while most sectors of the economy experienced a downturn in the first quarter of 2009, online sales for 80 retailers rose by an average 11%, according to a report by the Organization for Economic Cooperation and Development.

Ferragamo Chief Executive Michele Norsa said he saw its online store becoming "a nice shop" next year with "several million euros" in sales.

Echoing Norsa, Valentino’s top executive, Stefano Sassi, said its store that sells accessories and its younger line was "in constant growth."

Allure of the Web

The Web’s allure is easy to understand. Designers can present their creations directly to customers without relying on media reviews, which may not be favorable.

Designers can also save on advertising, especially as they cut marketing budgets.

When it comes to global advertising, the Internet is the only medium expected to expand -- with 9.2% growth forecast for 2009 -- while all other media are set to shrink, according to media agency ZenithOptimedia.

"[The Web] is very important by the sheer fact people are spending more time online, on Facebook, Twittering," Emanuel Ungaro Chief Executive Mounir Moufarrige said. He said online and glossy magazine ads were complementary.

One challenge fashion houses will face will be how to deal with the lag between photos of new collections going online as they are presented and them hitting the stores six months later, when they could seem dated.

"If you’re an artist and the only one who can come up with those color combinations and those prints... people will wait as long as they have to," said Scott Schuman, a fashion industry veteran-turned-blogger through his The Sartor-ialist site. "If you’re just an everyday designer and you’ve just come out with some thing and somebody else can do it better, cheaper or get it to [consumers] faster, they’ll buy that."

With new Web ventures like Dolce & Gabbana’s magazine Swide and Burberry’s social network site www.artofthetrench.com, many maisons are constantly thinking of new online tools to woo fans. "It’s marketing as usual, this just happens to be the new thing," Schuman said. -- Reuters

Filed under: luxury

rahrahrah says...

Described as "a living celebration of the trench coat and the people who wear it", Burberry CEO Angela Ahrendts was on CNBC the other day talking about this concept  in addition to "more innovative" design as a means of reaching a younger consumer. She mentioned that the site had received 3 million pageviews within the first two weeks of launch.  I wish that the experience was more authentic instead of so posed. I have a hard time believing that most of the people in the pics are not paid models. If the site is not updated frequently I can't see a long shelf life, but the look and feel of the site speaks luxury and is true to the Burberry brand.

 

Art Of The Trench: Burberry Takes A Curious Turn Into Social Media


Picture 2As Reuters reported from the trench coat Motherland on Monday, Burberry has dug into the social networking mine with the launch of its new website artofthetrench.com. Burberry’s Facebook page calls it “a living celebration of the trench coat and the people who wear it.” While many designers (@DVFNewYork) and retailers (@Bloomingdales) have taken their businesses to Twitter, Burberry is the first major fashion titan to actually create a social media labyrinth of its own.

With Art Of The Trench, Scott Schuman ofSatorialist fame has teamed up with Facebookto create a social networking fashion blog bizzarely centered solely around the Burberry trench coat. The site features a colorful grid of photos of street walkers – all non-generic, beautiful and photogenic - sporting the renowned and timeless trench. Many of them have tattoos, some are riding their bikes, and others have scarlet red hair. When you click on one of them, their snapshot becomes enlarged and the Facebook influence becomes clear – you can “like” or “leave a comment” and “share” the image. You can even sort the images by popularity, or weather!

The site has media and fashion junkies (and even the Financial Times!) buzzing. And we’re not surprised – the interface is pretty flawless, and the design itself is attractive. But as timeless as the Burberry trench is (and as good looking as these supposed non-models are), will the new site actually affect sales, as NYT Fashion speculated in its tweet yesterday?

The full New York Times article, which appeared in the Global Business section, reported yesterday:

“Those raincoats, a 95-year-old fashion icon, remain Burberry’s best-selling item, and Ms. Ahrendts — who now runs the company — is hoping to move the quintessentially British brand into the age of the Internet to attract a new generation of shoppers.”

We don’t doubt that Art Of The Trench will be bookmarked and thrown in our fashion blogs folder, among the likes of The Sartorialist and Garance Doré, but will we ever revisit it? However iconic, the revolving of a website – a social networking one no less – around a singular piece of clothing is a risky move. While it has caused a sudden buzz from a wide array of media outlets, Art of the Trench just doesn’t have the repeat user pull that it needs to be a sustainable campaign. Unless of course, this is just one part of a grander plan. Perhaps the site will expand in a LookBook-ish type way. But to maintain the hold on the web attention they’ve managed to attain so quickly, Burberry will have to deviate from only focusing on the trench. Which was sort of the site’s manifesto to begin with. It’s a Catch-22 that’s relevant in a day and age where anyone can start a blog or create a website on a whim.

There’s no doubt that the trench will stick around, but only time will tell if the Art of it will.

Filed under: luxury

rigzin says...

Filed under: luxury

Burberry Art of the Trench

Social media is about conversations, about consumers, but mostly about communities. It’s no longer enough for brands to communicate, people have to communicate with each other about your brand.

All of our current work is focused on communities, understanding the connective tissues that joins people together, and how to involve brands in their conversations – and in particular we focus on cults as an extreme version of communities – ones with the most to teach luxury brands. That’s the real future of social media

 

Filed under: Luxury

Terr says...

We are at an interesting crossroads in consumer culture.  Where luxury purchases used to be the ultimate sign of affluence or, at least, aspiring affluence, more consumers now may be driven to make conspicuously conscious purchases.  According to research co-authored by Aronte Bennett and mentioned in her MediaPost article, corporate social responsibility (CSR) seems to be becoming a strong motivator influencing consumers today – even in these bad economic times.  As she put it:

In a variety of experiments, our research found that consumers like CSR-associated products for two distinct reasons.

First, the fact that these products send out highly visible, social signals to their friends, family and co-workers regarding their kindness and charitable nature.

Second, they like the more private, self-signaling potential associated with the purchases of these products, even when a strong public social signal is absent to others.

These consumers like the visibility of what they are doing and they also gain in self-regard.  This is sounding familiar, like a whole other market – luxury.

continue reading.


Andrea Learned is a marketing dot-connector with a focus on gender and a longterm view on coming trends. Andrea's broad, colorful commentary can be found regularly on her blog, Learned on Women.

Filed under: Luxury

patrizio says...

“People want exclusivity, so you must always keep the customer hungry and frustrated.”

Jean-Claude Biver, the saviour of several Swiss watchmakers, has a knack for selling luxury -- The Economist 

Filed under: luxury

Couple of weeks ago, I was walking around "le Marais" in Paris when I felt a thrill of emotion.

When an ordinay shop offer an extraordinary service

What kind of ordinary shop? A eyeglass shop
What kind of extraordinary service? A valet parking

Okay but why is it so amazing mate?

First, it's important to say that this eyeglass shop is not a luxury one. Second, when you go to "place Vendôme" in Paris (The luxury place per excellence) you don't have a valet parking service. 

After that, I wondered about what a luxury brand is today. 

Traditionally, you can define luxury as a set of principles :

1. The principle of inside/outside (according to Jean-Noël Kapferer) : "everyone must know this luxury brand but anyone can buy it"
2. The principle of outward sign : "welcome to Las Vegas"
3. The principle of stratum : "yeah like some cast!" An upward social mobility goal. Today, is a really funny trend called "bespoke" : "I wear luxury brands but these luxury brands are unknown to the others because I'm not a fucking follower". 

According to all these principles, it's now easier to define what is the luxury shopper experience : 

1. Uniqueness : "I'm the only one. When I buy your brand, I must be considered as a real diva" 
2. Extravagance : "Logo everywhere" (often bigger than eyeglasses)
3. Service : "Give me more than other brands"

The rise of digital interest

Since a couple of years ago (and many more since the recent economic downturn), luxury brands seem to be in trouble. 

And of course, the recent interest of luxury brands in the several benefits of digital is not a surprise. 

For many luxury brands, the economic pressures and tensions are a huge opportunity to reinvent their model and evaluate what a new model can offer them.

For many of them, digital is the new model.

In accordance with the last digital IQ index (which ranks the luxury brands according to their digital competences), we can classify them into 5 levels :

1. "Genius" : "I use digital as a competitive advantage. I experiment, innovate, engage consumers on social media platforms and mobile devices"
2. "Gifted" : "I use digital mainly as a e-commerce solution"
3. "Average" : "Digital is not a point of differenciation"
4. "Challenged" : "No integration between the purchase process and the product experience"
5. "Feeble" : "Digital is not a strategic investment"

And the winner is...

The winner is not a suprise according to it is a real symbol of innovation : Apple.

For me, the real suprise is the lack of real luxury brands in the top 5. Where are the Ferrari, Rolex, DeBeers, Buccellati and others?

Let's have a look at some smart key discoveries, shall we? 

1. It seems that many luxury brands use digital as a fucking brochure : no experience, no interaction with consumers, social media is a rude remark... For these brands, digital is "a new poster". 

2. While the industry suffered a 34% decline in sales of luxury items this summer, traffic to luxury brand sites has increased an average of 61% this year. 

3. The more brands are exclusive, the less they are digital.

4. The lack of search. Less than half of brands purchase search terms.

6. Facebook, Youtube and Twitter are now used by several luxury brands.

7. Majority of brands that are e-commerce enjoy it.

So how luxury brands can embrace the digital revolution and reach a "genius" level?

Experience first. 

For luxury category, the digital experience do not be a fake of the shopping experience. There is no way to "digitalize" the shopping experience (why doing it worse?).

The digital experience must be engaging, functional and interactive. If we take the Ferrari exemple, what about increasing the sound experience on the website. Do you think one day it would be possible to select his Ferrari car by its engine sound?

Today, We know that digital experience is changing consumer perception about a brand. Apple perfectly knows it. That's why Apple is consider as a "the Genius".

Every luxury brands should improve its consumer experience rather than using digital as a poster. There is a lot of good online good experiences which could inspire them : NikeID, Uniqlo, Fiat Eco Drive or PriorityMail. If you take a look at all of these exemples, you will see how some brands are dealing with consumer needs : information, communication and entertainment. 

Every website, whatever the intended audience, has to create a useful and usable experience which drives desire and engagement. 

Social medias secondly.

Luxury brands should know that consumers trust their peers' opinions online more than any other source. SEO strategy is not the only way to drive traffic to a website. 

Social media optimization strategy is a new interesting way to do it. 

As consumers spend 90% of their online time on social medias like Facebook, luxury brands should realize that social medias are now the main door to all the online content : main door to Youtube videos, main door to pictures (I think that Facebook will be the first online photo management and sharing application next year). 

If luxury brands want to change consumer perception, they need to invest emotionally in social medias. That means create some stuff which play with social medias, not stuff which use social medias just as a media. 

Luxury brands can find some good exemples of how to use the power of social medias in order to transform a simple game into a powerful one like 221B (An interactive experience created for the release of Sherlock Holmes movie). 

Whatever experience you want to create, this experience is more engaging if you can anchor it into reality. 

And social medias are reality...

 

Filed under: luxury