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Here are posterous posts filed under livenation...

My wife and I always said that whenever the Arctic Monkeys are playing in Belgium we're going, no matter what. Guess what? This summer they played at Pukkelpop and who had to get married that day? Indeed...

But yesterday we got our second chance. The gig was great, but it wasn't the best I've ever seen. Actually, I agree with what Thomas De Soete had to say about the concert yesterday.

Tight drums, lovely accent, but they didn't play 'Teddy Picker'. I guess that's part of the 'we're growing up' attitude Thomas DS talks about.

Filed under: live nation

If Google/Youtube ink a deal with Bono at Rose Bowl in Pasadena Ca. All they need to acquire is Live Nation & flip media upside down

Filed under: live nation

Youtube U2: Now at Rose Bowl in Pasadena Ca. http://tinyurl.com/U2rosebowl Im 20 min away from the concert. Bono-Edge-Clayton-Mullen Rock!

Filed under: live nation

Rancho Cucamonga Ca: Streaming at my parents: Casa Escobedo http://www.ustream.tv/channel/rancho-cucamonga-ca Getting them to try SoyRizo too!

Filed under: live nation

Red Man just left smokeout 2009 in a grey Lamborghini spaceship on a trip back to Brick City New Jersey NJ

Filed under: live nation

This much I know ( Series )

Luke Bainbridge

The Observer, Sunday 2 August 2009

Adam Clayton, musician, 49, Amsterdam

 

Adam Clayton in Paris

Adam Clayton in Paris. Photograph: Kevin Davies

I don't think rock'n'roll is necessarily a young man's game. I think Neil Young is just as rock'n'roll now as he was in his 20s. I'd like to think we can still be edgy and challenging.

I was not an obvious contender. I was actually pretty shy in school. My defence mechanism was to be the class clown. I remember getting into a lot of trouble for being disruptive, and I was brought in front of the headteacher, who said: "What's going to happen to you; what are you going to do when you grow up?" and I said: "Well, I'm obviously going to be a comedian."

From an early age I didn't buy into the value systems of working hard in a nine-to-five job. I thought creativity, friendship and loyalty and pushing the boundaries of what was acceptable was much more interesting.

The longevity of U2 is primarily based on the friendship of four men that have grown up together. Four men that respect and support and love each other. We won't let each other fail.

It's very confusing when fame comes early on in your career. You get a little bit bent out of shape in terms of what's important. Fame is like the dessert that comes with your achievements - it's not an achievement in itself, but sometimes it can overpower the work.

I really enjoy the privileges of fame now. It opens doors and allows you to meet people, and you're in control. When fame first happened I didn't feel in control, and it closed doors to me.

I've never necessarily chosen to be a bachelor. I've had girlfriends throughout the last 20 or 30 years. It's just that there were times when I met people that fascinated me and times I didn't.

The biggest misconception about me was that I was some kind of wild, crazy rock'n'roll firework. It was an easy image to pick up on, but I'd like to think I was a little deeper than that.

I stopped drinking 12 years ago, and it was time. I'd had enough of drinking, drugging and nightclubs. It was a difficult decision to change my life, and it took a while to reprogram, but I've no regrets at all. I've enjoyed every bit of my life. I've had the best of it both ways.

My greatest achievement is managing to cope with four fingers and four strings.

The worst thing that ever happened to me was being busted. It wasn't that I was treated particularly badly, it was just so stupid, so pathetic, to be busted for cannabis. It was a big newspaper story, and it becomes a whole talking point with your parents and your parents' friends and your friends' children, and you just don't want that debate opened up.

I feel there is a lot more to achieve. In the first 20 years I was functioning on instinct and attitude and rawness, and now I know what I'm doing and can apply those skills in a different way. It's no longer about attitude and rawness, but it's about sophistication and understanding.

If I could only take one thing on tour it would be Irish tea bags. Barry's decaffeinated tea bags. I know it sounds crazy, but if you don't travel with your own tea, it never tastes the same.

In a loving relationship, as an expression of freedom and fantasy, I think sex is very important.

I don't think I would ever try and repeat U2. I'd be very happy when U2 came to whatever end, and there is no end, really. But I would be happy to move on. It's a very fast world, and a quieter world would be welcome at some stage.

I can look at myself in the mirror. I didn't use to be able to do it. I see someone who is incredibly lucky, who still has so much ahead of him rather than behind him, and I'm very grateful. I cannot believe how good my life is. I did not expect this.

• U2 plays Wembley Stadium, London on 14 and 15 August

Follow the tour via twitter.com/u2tourfans

Filed under: Live Nation

Benmenson says...

Liive Nation NoFee Logo_wWebsite
Are Ticket Sales In A Slump?


All summer long Live Nation has been running 24 hour sales on lawn seats for its amphitheater shows.  But this week the sale expands from the lawn all the way into the coveted reserve seats.

On Wednesday July 15th, in addition to the all-in $29.99 lawn ticket, fans can now also choose select $49.99 all-in reserved seats for many Live Nation amphitheater concerts. These all-in prices include a ticket, parking, ticketing fees, a hot dog and a soda.  Tickets for this week's installment of "No Service Fee Wednesday" go on sale at 12:01 a.m. local time at www.LiveNation.com.
Of course the PR spin says nothing about slumping ticket sales. 

"Last week's offer was one of the most popular of the summer," said Michael Rapino, President and Chief Executive Officer of Live Nation. "So we've decided to expand our all-in price concert experience into the reserved section of our amphitheaters, making even more tickets more affordable for music fans across the country."

Filed under: live nation

Stephen says...

Email-security firm Goodmail Systems plans to introduce Thursday, April 2, 2009, a new technology to help marketers and media companies send videos via email. It screens video messages for bugs and viruses and emails them to consumers who have opted to receive them. The Mountain View, Calif., start-up is launching its video email service with Time Warner's AOL unit.

"Video is a great way to increase interaction with brands and marketing messages," says Marc Fleishhacker, managing director at WPP's Ogilvy Consulting. Adding video to email marketing boosts customers' interaction, such as opening the email or clicking on any of the content by as much as 200% to 300%, he says.

"There are some technology challenges," Mr. Fleishhacker says, referring to security filters. "You have to make sure that your email gets beyond them and into the consumer's mailbox."

Marketers have long looked to video as a way to jazz up their promotional emails. But most efforts were put on hold because video messages tended to get lost in the shuffle as concerns about spam and viruses led Internet-service providers to block suspicious-looking files.

Goodmail, founded in 2003, created its system, in which the video is embedded in the body of the email, to work within those security constraints. That is a departure from the way most marketers now promote their videos via email -as a captured image that includes a link to a Web site where the video plays.

A Seattle company called Eyejot provides technology that lets users send video messages in small batches of email and is working on a system for marketers conducting large campaigns, says Eyejot CEO David Geller. But Goodmail, which is working with media companies, marketers and Internet service providers, appears to be the first service seeking to ensure delivery of video emails by certifying them as virus-free.

Goodmail plans to charge a delivery fee of as much as $10 per thousand emails, and share those revenues with Internet-service providers. Industry executives say one shortcoming of the service is that Goodmail works only with Web-based email systems, cutting out consumers who access email through software programs like Microsoft Outlook.

As they rein in ad spending amid the recession, marketers have started relying more heavily on email and other targeted advertising to reach customers. Spending on online-video ads, meanwhile, is expected to increase 45% this year to $850 million, according to research firm eMarketer, despite a sharp falloff in the growth of online advertising as a whole. Media companies are scrambling for ways to take advantage of that growth by boosting the advertising they sell on their videos.

"Video is the shiny new toy," says David Daniels, an analyst with Forrester Research. But Mr. Daniels cautions against marketers broadcasting all of their TV spots via email to masses of consumers. "

We live in a TiVo world. We already are commercial skipping," he says. "It could be overload, unless people are highly engaged with the brand." A better model, he says, might be for media companies to distribute their video by email and sell ads alongside it.

Live Nation will be among the first marketers to test video emails with Goodmail. The concert promoter relies heavily on email marketing, sending 15,000 promotions last year to customers who subscribed to receive updates about events.

Adding video to those messages will give Live Nation the chance to better showcase its artists and give consumers a preview of shows, says Bob Frady, the company's vice president of digital marketing. It tested emails featuring video of Katy Perry as part of its efforts to promote the pop singer.

The email newsletter DailyCandy, which covers fashion and culture for a mostly female audience, plans to start sending videos via Goodmail next week. The newsletter, owned by Comcast, will begin producing videos segments to complement its usual fare like shopping tips and restaurant reviews, says Catherine Levene, chief operating officer. It plans to sell short commercial spots to play before the programming starts.

To avoid paying Goodmail delivery fee out of its own pocket, Thrillist, a newsletter which has 750,000 subscribers aimed at young urban men, plans to send video messages only if they have been paid for by advertisers, says founder Ben Lerer. Thrillist said it has sold its first video campaign to camera maker Canon.

Source.

Filed under: Live Nation


“Vertical integration on steroids” is how Jerry Mickelson, chairman of Chicago-based Jam Productions, characterized the plan to merge the nation’s largest concert promoter and ticketing agency. “This merger is much larger than just the ticketing business,” he warned. It could “monopolize the entire music industry,” because the two entities manage or have business agreements covering all music-related revenue streams with hundreds of major artists. (Chicago Tribune)

The new company will form a firewall to separate ticketing and promotion, Live Nation Chief Executive Officer Michael Rapino, who would be CEO of the combined organization, told lawmakers last week. “We would absolutely make sure that both divisions are separately run,” Rapino told a Senate subcommittee on Feb. 24. (BloombergSenator Chuck Schumer (D-NY) made no secret of his opposition to the deal, dismissing it as "monopolistic behavior plain and simple".
Ticketmaster investors will receive 1.384 shares of Live Nation for each held. The value of the deal, $216 million at yesterday’s close, has dropped 48 percent since the deal was announced February 10th. Live concert promoter Anschultz Entertainment Group (AEG) has resigned to terminate their agreement with Ticketmaster if the deal is approved by regulators, according to a letter AEG sent to the SEC on February 6th, four days before the deal was announced.
I first read of the proposed merger between Live Nation and Ticketmaster, the world's largest concert promoter and top ticket seller respectively, in a cover story on Ticketmaster CEO Irving Azoff in an edition of the Weekend Wall Street Journal from early February.  I had heard of the man but knew little about his story, which I admit to be very impressive.  The piece was biased, and understandably so considering it was a feature on Azoff's career and life, so there was no critical analysis of the merger or details of the terms. I finished reading with no opinion of how the deal would affect the music industry.

In Monday's Financial Times, the editorial board concludes that the deal "...would work against the fans in the longer term, no matter what innovations were on offer initially".  After reading the FT's compelling argument against the deal I began to think about the implications for the music business of the merger's success.  After reading Jerry Mickelson's full statement before Congress (see below) it became clear what the larger implications of the merger would be for the independent live music business- eradication.

Hopefully Chuckie Schumer has the last word...

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Filed under: LiveNation

Stephen says...

U2 stands to make $25 million in a great stock deal with Live Nation, the concert promoter, according to SEC filings on December 16, 2008. In March 2008, the band struck a 12-year deal with Live Nation that called for the concert promotion giant to pay U2 partly with stock. Live Nation promised to pay tens of millions of dollars to high-profile artists in exchange for several years worth of revenue from a broad range of their work, including concerts, online fan clubs and t-shirt sales. The idea was pitched as a novel way to make money in the ailing music business.

It appears that U2 moved to sell the shares, making Live Nation make up an estimated $19 million in losses since Live Nation had guaranteed that U2 would receive $25 million for the 1.6 million shares. The current market value is about $6.1 million based on the closing price of Live's stock on December 16.

There could be more bad news coming from another of the company's acts, Madonna. In April 2008, Madonna is eligible to sell $25 million of stock under the terms of her contract, even though the stock's market value has plunged 83% since she struck her deal in October 2007. Madonna could use the cash to pay for her divorce settlement with her former husband, Guy Ritchie.

Live Nation expects to start recouping its investment in U2 when the band begins a planned tour next year and releases its 12th album. Madonna and U2 were the first of six superstar acts whom Live Nation has agreed to pay hundreds of millions of dollars each for several years' worth of revenues. Jay-Z, Nickelback and Shakira are among the other artists with whom Live Nation has deals. Source.

Filed under: Live Nation